Marco Polo – a Review

Even the most fanatic revisionist white knights couldn’t ruin a story set in the Mongol Empire during the conquest of south China, right?

Ahem.

I wish I could say I’m surprised by what they’ve done with the subject matter.

First off is the main character, Marco Polo. His motivations are sketchy at best, beyond some vague desire for a father figure. In the first season he’s habitually stupid…but not as stupid as the series writers assume their audience is.

The sad fact is, that assumption may prove correct.

There’s all the formulaic theater, white-knight feminist tropes, and contrived plot devices you can find in any other TV show, and the Trojan beach head of perversity we can expect from a Weinstein Company-backed tale of palace intrigue.

(But to be honest, it’s doubtful Harvey Weinstein is any worse than the other producers in Hollywood. In fact, he’s probably mild compared to some of them.)

But the sterling character of the morally pure saints headquartered in Homowood, Commiefornia never rests until it has delivered a hypocritical moral message. And so their favorite perversion (pedophilia) is represented not accurately (like, say, in the character of an entertainer or leftist politician), but in the form of a Christian Mongol.

Nothing special here.

 

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