Category Archives: TEOTWAWKI

The End by G. Michael Hopf – a Review

The subtitle says “A Post-Apocalyptic Novel,” and this book is the first in “The New World Series.”

The story is told in flashback via a surviving character in 2066 “Cascadia.” That character is in bookend chapters that frame the narrative. The main story opens in the suburbs of San Diego right before an EMP turns out the lights, permanently. A little bit of time is spent establishing that the protagonist, Gordon Van Zandt, is a dedicated family man with just enough soy in his diet to make him palatable to female readers. He’s an Iraq veteran whose little brother is currently in the USMC, hoping to become a scout-sniper.

In the author bio section of the Amazon product page, the author claims to be a USMC veteran. That may be true–there is at least some rudimentary military knowledge evident. Maybe he had a rear-echelon clerk/jerk MOS. There were a few details here and there that didn’t sit right, but not enough to make you toss the book aside, by any stretch.

The EMP strikes the USA, and Gordon goes into Scramble, Forage, and Protect Mode. (While doing so, he explains what an EMP is far too many times for a reader with reasonable memory retention.) His family-first instincts kick into high gear right away, which cause him to make some tough decisions that others are not yet ready to make.

The plot toggles between Gordon’s ordeal, little brother Sebastian’s story, and federal-level politicians. For the most part, the character interactions are believable, although there is a high Character Stupidity Quotient in effect–especially when it comes to Sebastian. Sebastian is such an idiot that, were he the star of the show, I probably would have quit reading. (Ironic, because toward the end, I found his story the most interesting.) I lost patience and began to skim through the sub-plots with the Speaker of the House-turned-President, his wife, Vice President, assistants and generals. Those segments resembled a literary soap opera that aren’t really even necessary for the plot.

Speaking of plot, this one does not suffer from predictability. I wonder how much of that was by design and how much was because the author was just making it up as he went along. I strongly suspected the latter when it came to Jimmy, Gordon’s neighbor. When first introduced, the reader gets the impression Gordon barely knew Jimmy; but as the chapters plod forward, a transformation takes place and the two neighbors have been great friends for years.

One of the most annoying personality traits of Gordon Van Zandt is his tendency to make promises he can’t keep. A lot of the dialog is amateurish as well, but then I guess this is the author’s first novel.

I made the decision to buy this book after reading some of the complaints by the one-star reviewers that there wasn’t enough GRRRL POWER on display. Sure enough: there was a lot less feminist garbage than you get in the average novel–whatever side of the aisle the authors fall on. I was thankful for that, but I was hoping (if there was any evidence of author worldview at all) that the author would turn out to be a patriot or full-bore, unapologetic, firebreathing right-winger. The overall flavor, however, is Log Cabin NeoCuck. By the second novel it becomes blatantly obvious, but I’ll say more if/when I review the sequel.

I guess the only full-bore, unapologetic, firebreathing right-wing authors on the cultural landscape these days are under Virtual Pulp’s umbrella.

War For the Planet of the Apes – a Review

First of all, the title is a bit deceptive. There is a war brewing between apes and men–like it was in the last movie or two, but this one doesn’t depict a war.

There is a cheesy firefight scene at the end, and an ambush of sorts at the very beginning, and that’s about the extent of the combat. The bulk of the film is a psychological profile of Caesar. Woody Harrelson (doing his best Colonel Kurtz) murder’s his wife and son, so Caesar is tempted to adopt tactics and methods that are just as ee-veel as those used by the bad guys (humans).

In this ongoing reboot of the franchise, the film makers evidently intend to erase generations of history. The apes haven’t even taken over the planet yet, and they’ve already introduced both Cornelius and Nova.

The cinematography was the best aspect of the  film. Otherwise, meh.

“Another Excellent Novel”

There are downsides to having a bestseller. It gives your book more exposure, which is certainly a net gain; but it also draws plenty of wild cards.

As in all businesses, customers are probably about 75% more determined to make their opinions known when they have a complaint than when they find a product satisfactory. In the book biz, you also have some jealous, petty and vindictive authors prowling Amazon to size up the competition who, I guess, assume they can elevate their own work by trying to make other author’s work look bad. And then there’s controversial books like False Flag, which are gonna trigger sheeple and SJWs, even when they are warned up front that a particular book will not be their cup of tea.

Case in point: shortly after the post about Roy Moore went live on this blog, somebody posted the first-ever one-star review for Hell and Gone, admitting within the “review” that they hadn’t read the book. Up until then, my debut novel had never drawn less than four stars from any Amazon reviewer. I smell a motive for this drive-by, but who knows.

So the vigilant haters have managed to drag False Flag‘s cumulative review score down to 4.2 stars, but comments like the following tend to improve morale:

Another excellent novel by Henry Brown

First of all let me state that this is the third novel by Henry Brown I have read featuring “Rocco’s Retreads” a group of different special warfare operators who are mostly retired from different branches of the active duty military.


It’s a direct follow up to Tier Zero– the novel where Native American lawman and ex spec ops warrior Tommy Scarred Wolf and some of his friends and family set out to rescue a group of females from the nearby Rez who had been kidnapped in a foreign country.

This time around, Tommy and some of the Retreads have been targeted by a sleazebag Statist DHS spook and his underhanded operators- including several who are basically Manchurian Candidate Brainwashees.
Tommy is now the Sheriff in the town where the nearby Rez is located and his friends are scattered to the Southwest. Rocco, Leon and Carlos are now operating a shooting range and firearms sales and supply shop; Mac has gotten involved with a sleazy race-card baiter in Federal Law Enforcement and Josh has retired to the life of a modern Mountain Man.


Essentially Josh and some of the others find out that Rocco’s Retreads have been flagged as Domestic Terrorists by the dirtbags from DHS and worse- the same scumbags are planning on a False Flag attack on a peace rally in Amarillo Texas following the senseless beating of an African American motorist.


Talk about being ripped from the headlines.


As the NeoFascists in Federal Government see it, by attacking the rally and pinning the rap on “Right Wing Militia extremists” it will give them the justification among the McSheeple to go after the Internet and gun owners.


Tommy, Josh and the majority of their friends and family decide to try and stop the False Flag attack.
When they call in a phony bomb threat and the “proper authorities” refuse to evacuate the facility…well, it’s time for Tommy’s pals in the Native American Militia to step forward and stop the slaughter of innocent people and try and save the country from the insidious forces within the corridors of power who see Freedom as a threat to their own lustful power grabs.


The book is sobering at times and downright funny at others. The descriptions of some of the peripheral characters (looters and so forth) reminded me of some of the more razor-sharp satirical Destroyer Novels written by the late great Richard Sapir and Warren Murphy as both rednecks and looters get scalded by Brown’s pen.


I would love to see these books made into movies someday. However they are so politically incorrect that its’ mostly a pipe dream at this point.
If you enjoyed the Destroyer novels or the old Phoenix Force and Able Team books the Retreads series is right up your alley.

If you’re willing to take just a few minutes to make a small-but-significant impact in the culture war, and you’ve read one or more of my books, why not drop a couple lines into a review and counter some of this sabotage? Amazon isn’t yet as bad as Twitter, Facebook, or Wikipedia, but they’ve proven to me they are sympathetic to these SJW trolls. They took down a review I posted (it’s long-winded; sorry) even though it was obvious I read the book, and I hadn’t violated any of their published guidelines; but they won’t take leftist hit pieces down, even when it’s obvious the troll hasn’t read the book. There’s not much I can do about that. By posting an honest review, however, you could dilute this well-poisoning.

Speed Week Plus: Mad Max – a Review

Motorized Mayhem Down Under! Time to take Speed Week Plus south of the Equator, to a continent comprised entirely of one country–and into the future, where civilization is on the verge of complete breakdown.

Imagine an Australia populated with butch, entitled women; supplicating nancy-boy males considered “men;” oppressed by a draconian police state hell-bent on gobbling up more power until farting in the privacy of your own toilet is a crime punishable by death…

Oh, wait. No need to imagine–Australia is just about there already. Imagine instead an Australia saved from that dystopian present by a nuclear holocaust and utter economic devastation. Whew!

That merciful cataclysm seems to be underway at the beginning of the original, unfeminized Mad Max.

I should clarify something up front: I won’t be including Beyond Thunderdome for Speed Week Plus, and probably never will review it or the more recent Mad Maxine.

So the “thin blue line” Down Under has become razor thin, fighting a losing battle to keep civilization from toppling. Amoral, perverse gangs rule the roads, stealing whatever they want, raping whoever they want (which is pretty much anyone), and more than willing to murder and destroy in order to do it.

On the side of good is the MFP: Main Force Patrol. Just as our police have come to be known as “cops,” originally “coppers” because of the badges worn by New York policemen, these Aussie lawmen’s badges were made from a different metal, hence they are slurred as “the bronze” by the villains in this film (as well as the hero in Fast Cars and Rock & Roll, which pays homage to many films, including this one).

A very young Mel Gibson plays Max, the MFP’s star patrolman, who’s considering quitting the force and taking his family away from the madness. To bribe him into staying, the MFP makes an unofficial gift to him of “the last of the V8 Interceptors.” It’s a black-on-black Australian Ford Falcon, supercharged, with “Phase IV heads” and “Nitro.” By the end of the movie Max deputizes the Falcon Interceptor to run down the gang that murdered his family and made a vegetable of his friend Goose.

Mad Max Poster

By the way, the clutched supercharger on the Falcon was a pure fabrication sold via the magic of film editing. But Hollywood has plagiarized it with their own clutch-driven blowers in movies like My Science Project.

Director George Miller was fascinated with medical apperattus and you’ll see some on display in Mad Max and its sequel. He must have been equally obsessed with Catholic symbolism.

But the appeal of this movie is the high-octane action, and it’s got a lot. The speed scenes were undercranked to exaggerate the velocity of moving vehicles, yet it was accomplished with a subtle touch so that it doesn’t make everything comical.

That’s not to say there aren’t some laughable moments (dig that Roman Candle in the exhaust pipe)–if you watch the version with overdubbed American voices, it’s downright groan-worthy. So I recommend getting the version with the original soundtrack.

“We remember the Night Rider! And we know who you are.”

Speed Week Plus: The Road Warrior – a Review

 Mad Max cannonballs through the wasteland in a world devolving back to the Iron Age.

Mad Max cannonballs through the wasteland in a world devolving back to the Iron Age.

 

You think you’ve seen road rage before? Let’s cruise on over to post-apocalyptic Australia for a high octane killing spree!

Mad Max was such a cult action-adventure hit, the film makers came back with a bigger budget for the sequel. In addition to launching a young actor named Mel Gibson into superstardom, it also inspired too many doomsday visionaries to count…including another film maker who would produce a time travel thriller a couple years later about a killer cyborg sent back from a future similar to this one, to assassinate the mother of a resistance movement’s leader. You may have heard of that flick. It’s called The Terminator.

In the roar of an engine he lost everything…

 

roadwarrior1

 

In the first movie, Australia was on the verge of societal collapse. As this story begins, that collapse is a done deal. Max, once a good cop and happy family man, is now a lone drifter with no ambition beyond surviving in the New Dark Ages.

What we have here is actually a sort of post-apocalyptic western. Max is the jaded gunfighter who is numb to death and has nothing to lose.

The vermin of the wasteland (I guess I’ll call them VOTL for short) have tried to bushwhack him before, but he’s a little too much for them to handle. The prize they’re really lusting after, though, is a strange outpost of civilization in the wilderness.

A small community which still clings to the mores and values of non-barbaric society occupies an oil refinery, defending it with flamethrowers and pneumatic dart guns from the perverse savages who rape and murder any who attempt to break through the siege and run for freedom.

After defeating (then taking captive) a snake-charming gyrocopter pilot, Max encounters this situation just as two would-be escapees meet their gruesome fate.

The alpha-dog ruling over the VOTL barbarians is a buff baddie called Humongous. Don’t ask me where he finds his vitamins, energy drinks and steroids out there in the post-apocalyptic desert. And though he probably has plenty of time on his hands, where he finds a gym to work out in is also a mystery.

Humongous’ go-to lieutenant is an acrobatic Sodomite who puts his crosshairs on our hero early when he gets wounded during road combat with Max. Later he comes totally unglued when his butt-boy is killed by a razor-edged boomerang that belongs to “the Feral Kid.”

The R rating is strictly for the violence…plus some brief non-titillating nudity. I don’t believe there’s any cussing at all. But the violence is on an epic scale for 1981–dished out with a mixture of Medieval weapons, improvised munitions and fast machines. There are only two firearms in the film–one owned by the hero; one by the villain. The ammo supply for both is extremely limited.

 

Those fast machines are what makes this movie required viewing for Speed Week Plus. Not only is Max’s Falcon Interceptor back (with the Hollywood clutched blower) but there are other Australian musclecars and some vehicles that look like hybrid dune buggies or sand rails.

The Lord Humongous…the Ayatolah of RocknRollah!

One of the suicide machines has two engines. One of them has a crude nitrous system (“noss” for those of you who acquired all your automotive knowledge from watching the Fast and Furious flicks). Add to all that horsepower the added boost of camera undercranking , and the result is insane speed for the chase sequences.

The Road Warrior has its flaws, which become more obvious over time and repeated viewing, but it’s still a great action adventure movie that requires no more suspension of disbelief than most of the CGI/green screen enhanced claptrap Hollywood’s been churning out in the new Millennium.

This is perhaps my favorite post-apocalyptic movie. What’s yours?

Dialog at Twilight’s Last Gleaming #2

This conversation took place during the New York demonstrations against the results of the election.

 

SILVER SPOON BLACK WOMAN: This country was built on the oppression of dark people!

WORKING CLASS WHITE MAN: First of all, slavery was brought over here before there was a United States of America. Second, we fought a war to end slavery. We fought and killed our brothers and cousins to free the slaves, because we’re “so racist.” Slavery lasted about 80 years here. Care to compare that to another country? Take your pick: Africa, Asia, Europe, Central or South America…pick your continent.

SSBW: Slavery wasn’t as brutal  in other countries. It was more like just being servants. It’s America that made it such a dehumanizing thing.

WCWM: (Scoffs) You’ve been watching too much TV. African slaves in Latin America were treated much worse than in the USA.

SSBW: That’s just what you say. You don’t know that.

WCWM: I study history because I want to know the truth. You should try it. The information’s out there. You read a few memes on Facebook and assume you know everything there is to know.

SSBW: And so what if you ended slavery? That’s nothing to pat yourself on the back about. The fact is, you still did it. And you took this land from the people who were here before, so it’s hypocritical to want to keep other people from coming in and taking it away from you.

WCWM: Can you name one country where the territory wasn’t won by a group that displaced another group? Why is nothing bad unless Americans do it?

SSBW: I’m talking about this country. This is the one I live in. And just because other countries have done something doesn’t make it right when America does it.

WCWM: So the standard for America is perfection, but every other country can do whatever, and are superior in your eyes?

SSBW: I didn’t say they are superior.

WCWM: You want to make us just like them. And you act like I’m wrong because I don’t want their invasion of us to continue. Why is that?

SSBC: The point is, this is a racist country, and you’re too blinded by your white privilege to understand what I go through as a person of color.

WCWM: I understand. You’re given scholarships for nothing but being born your color. You’re given hiring preference for nothing but being born your color. All by oppressive, racist America. You poor victim.

SSBW: Those things are just compensation for what we have to go through every day in life just because of the color we were born with.

WCWM: Oh yeah, I keep forgetting how oppressed you’ve been. Your parents weren’t allowed to work any job except maids or butlers; you weren’t allowed to live in a well-to-do suburb; you were denied an expensive education and you weren’t given a six-figure job right out of college.

SSBW: I had to work for all those things!

WCWM: Ah, so you’re a victim because you have to work for something? They should have just handed it all to you because you’re black?

SSBW: (Under breath, grumbling) People who never experience prejudice just can’t see it.

WCWC: Now you’re assuming I’ve never experienced bigotry, and you assume it because of my skin color. That’s textbook prejudice, right there.

Dialog at Twilight’s Last Gleaming #1

There’s some notable conversations taking place in “flyover country” these days. I think I’ll document some of them.

NGV: I know (our co-worker) has a family to provide for, but stealing from the company…pissing off the customers…I don’t see how they wouldn’t fire him.

RAV: I don’t want anybody to lose their job–especially in this economy. He needs to go on welfare or something, because he’s damaging our reputation.

NGV: I feel bad for his family, though.

RAV: Yeah. There ain’t that many jobs out there, and frankly, depending on what happens in this election, there might not be an America for much longer. It could be a lot more like Brazil or Venezuela pretty soon.

NGV: Speaking of that, when the shit hits the fan, you’re welcome to bring your family and follow me to (redacted) in Idaho.

RAV: No kidding? (Wow, he’s a lot more prepared than I thought.)

NGV: Yeah, seriously. If all you’ve got is your bug-out bag, that’s cool. Ammunition won’t be a problem, either–we’ve got plenty to share.

RAV: Oh yeah? (Holy cow, he’s blowing OPSEC all to hell. Doesn’t he realize we’re talking on cellphones?) I don’t know where I’ll be when the day comes, or what my travel options will be, but I really do appreciate that. (I just wish you’d be wiser about what you say on an unsecured line.)

Random Musings on Apocalyptic and Post-Apocalyptic Entertainment

CATEGORIES

TEOTWAWKI or “The End Of The World As We Know It” is a brand which has been traditionally applied to post-apocalyptic movies, games, and books. In such narratives, the story begins AFTER some cataclysmic event has forever altered life on Earth.

SHTF or “Shit Hits The Fan” stories are about, or take place DURING the cataclysmic event. (Most “patriot fiction” fits inside this genre.)

It occurred to me we’ve been throwing everything under the TEOTWAWKI umbrella (including my own latest novel). Because I review so much work in the genre, I have now made a SHTF category and moved all (I hope) the relevant posts into it, for ease and accuracy of navigation.

UNFINISHED STORIES

I’ve been consuming a lot of SHTF and TEOTWAWKI entertainment lately. Recently I’ve tossed two books aside before finishing them. That has prompted me to create a new category called “Pet Peeves,” and this is my first post to be categorized that way.

There are a few different tropes that often annoy me enough to quit watching or reading whatever incorporates them. As regular readers of Virtual Pulp can probably guess, left-wing propaganda is one of them (explaining why I rarely go to movies anymore, and never watch TV). Another nauseating trope is the obligatory “strong female character,” which in action/adventure manifests as the obligatory Amazon Superninja.

Another deal-breaker for me is excessive stupidity, in whatever form. Going back to TEOTWAWKI, this is why I didn’t get very far watching the Jericho series on Netflix. It started out with a lot of promise, but smacked me out of my suspension of disbelief too many times to even be engaged by the point where we discover the EMP was caused by the Right Wing Boogeyman (egads! What a surprise!).

I recently picked up a handful of books on free promotion, for my Kindle. One of them featured a rare (for the SHTF genre) protagonist: an extremely naive civilian suburbanite victim of normalcy bias. I know too many people like this guy in real life (throw a rock in North America, and you’ll hit one), and find them a real challenge to engage with on any meaningful level. Yet, for me, it was a unique storytelling perspective (and perhaps overdue), and I guessed he would have to wise up in order to survive.

The character did show signs of maturing over the course of several chapters, and I gritted my teeth through his Pollyana attitude/reactions. I even held my peace, with an eye-roll or two, at how cash was still accepted after the economy, infrastructure, and even government itself were all rendered moot.

Then I came to a scene in which the protag and his companions are waylayed by literal highway robbers. Our hero is armed. The villains are not. He has some supplies he and his pals will require to survive along their journey. The bad guys want to take it.

So he lets them take it, in an alleged compromise (they won’t rape the girl traveling with him).

You have to wonder why some people even have guns, if they’re unwilling to use them even in matters of survival. The sad part is, this character is all too real, and the “compromise” is too perfect a metaphor for how we’ve allowed our freedoms, our government, and our country to be “compromised” away from us. Real life and its stupid people are more than enough, thank-you. This story and character is too much stupidity for something I read voluntarily and sacrifice time for.

OVERHAULING STRAIGHT AMERICA

The population has been so relentlessly conditioned that it’s hard to escape from the malignant sodomiphilic echo chamber even in indie fiction.

Another book in the genre was also from a suburbanite perspective. There were some trace amounts of the “all men are rapists” attitude in this one, but it wasn’t so “in your face” as to make it unreadable. I had finished reading about 90% of the book before the author sucker-punched me by revealing a character as homosexual.

The reaction to this by one of the main characters was how all reasonable, “open-minded” people are supposed to react: immediate support, equal or surpassing what a “straight” individual should get. Just in case there are still some dirty brains still out there, the efforts to wash them are ubiquitous and never-ending.

No thanks. Pass. I have no interest in reading the remaining 10%.

THE ROAD/JOURNEY PLOT

This really should have been pondered long ago, but only lately has it really become a point of fascination to me that 95-99% of post-apocalyptic tales depict a journey of the protagonist. Most often, the journey is taken in order to reunite with family.

On the one hand, this makes a lot of sense. When the SHTF a lot of people will be separated from loved ones by varying distances. They’ll be away on a business trip, or at the office, grocery store, etc., when disaster strikes. So it’s a valid plot.

It’s also a grossly overused plot. So overused that I’m now rethinking a few sequels to False Flag, and a zombie parody I had in mind.

That’s all for now. Happy weekend.

Executive Orders: Homeland #2

The second book in R.A. Mathis’ SHTF series has just gone live on Amazon. I was fortunate enough to have read an advance copy (after nagging the author a little bit–that’s how much I liked the first one: Falling Down), so I’m ahead of the curve.

I reviewed the first book here; then the author and I had a conversation about our books and TEOTWAWKI in general here and here, if you want to get up to speed. You can also read an excerpt.

Executive Orders follows the three main characters from Falling Down as order is established from the chaos. But order isn’t always what it’s cracked up to be–especially when the chaos was purposely orchestrated to bring it about.

Unfortunately, I think the author’s take on how easy it is to manipulate the masses is spot-on (which is to say: even easier, when they’re facing starvation and other severe hardships, than it is now).

America’s “second founding” is how characters in this story refer to the whole order-from-chaos/pheonix-rising-from-the-ashes plan to swallow the USA into the globalist dictatorship certain insiders have referred to as the New World Order . They have utterly destroyed the US economy; taken down the power grid; hijacked the Armed Forces; implemented martial law; begun to kick off their population reduction and relocation initiatives; blamed the patriot resistance for all the above; obliterated what individual rights Americans had left; and made the average Joe beg for servitude by using food shortages as a weapon. This is all right out of the globalist playbook.

I was a bit surprised at how much freedom and initiative Sheriff Hank was able to enjoy, given the stranglehold Big Brother has on everyone and everything. In retrospect, perhaps he was merely given enough rope to hang himself. And scapegoats are always needed in situations like this.

The stranglehold was achieved very quickly. The author has illustrated just how fast our way of life can permanently change. (The same government/media complex that so expertly herds the population using the Hegelian dialectic before the fall will have an even easier time herding with the simple carrot-or-the-stick paradigm.) They waste no time weaponizing the surviving population (now reduced to property of the State), starting with the very youngest.

I got irritated with Sheriff Hank a couple times, due to his naivite`…but, to be honest, he’s no more naive than most people are, or will be, in real life. Will normalcy bias linger on, even after normalcy has been shredded, napalmed and nuked into oblivion? Yes, it probably will, while evils are sufferable.

This is a dark vision of the near future. However, there were just enough glimmers of hope to read on. And Mathis has set the stage for the resistance to bring some major smoke on the bad guys in the third book.

All This and Civil War Too (Part Two)

Here’s the continuation of our discussion of Homeland: Falling Down, and the trends which inspired it.

 

HENRY BROWN: So, whether faced with our own military or with modern-day Hessians under globalist command (assuming the 3 percenters have prepped adequately enough to avoid being simply starved to death) with no support from a foreign ally and probably without popular support, how viable do you consider a guerilla resistance effort to be?

R.A. MATHIS: You mention in False Flag that no insurgency has ever won without foreign intervention and popular support, which I thought was a very good point. The two things America has to counter that are the 2nd Amendment and the 2008 election of the best gun salesman the country has ever seen. We have over 300 million citizens and about as many firearms in this country. We are also buying up ammo as fast as it can be produced (at least what is left over after DHS gets their share). Combine that with hundreds of thousands of highly trained combat veterans scattered to every part of the country, and the odds don’t look so long.

(HENRY BROWN: What a coincidence that veterans, patriots and gun owners top the list of potential “domestic terrorists” the government is most worried about, eh?)

R.A. MATHIS: This alludes to the working title of book three, “Every Blade of Grass.”

HENRY BROWN: How appropriate–that very quote (whoever said it) was just going through my mind as your words sunk in.

R.A. MATHIS: I think the success of a resistance would vary by region. Rural areas would be virtual no-go zones for regime forces. Some urban areas may just welcome them like the Vichy French.
It seems to me that the biggest problem for the resistance would be the lack of electricity. If the regime restored power to each region as it was brought into compliance, it could make for effective deadly propaganda against the resistance. It’s the old “freedom vs security” dilemma on steroids. I’m not sure which way the populace would go in that case, especially in winter.

HENRY BROWN: Very good point. Most people  take electricity for granted. Few of us have any concept of what a struggle life will be without it. And that’s even without somebody intentionally trying to kill you.

R.A. MATHIS: How would you go about establishing a resistance? Could it succeed?

HENRY BROWN: That endeavor would be a kettle of quandries stuffed full of dillemmas and wrapped in Catch-22s. What I would encourage is a cellular structure perhaps similar to the French Underground or other successful resistance movements. But if it is successful, at some point it would have to take the offensive. And that would require somewhat centralized leadership–anathema to the principles hopefully held by those who constitute such a movement. That would require very rare leadership–willing to step down and surrender the reins of power when victory was secured–as George Washington did.

Could it succeed? Yes. But it would be an uphill struggle from start to finish, with no room for mistakes at the strategic level. At a tactical level I like its chances a little better, partly because of the points you made.

In Falling Down, Cole’s father, Hank, is an honest cop. In my experience that’s a rare, dying breed. But now and then I come across memes regarding certain sheriffs who have gone on record stating they will not comply with unconstitutional orders from the Feds, including civilian disarmament. As with the military, I’m skeptical that many who wear the badge will honor their oaths at crunch time. How do you see it?

R.A. MATHIS: Again, I think this may be regional. I believe small town sheriffs would be more likely to resist the regime as they personally know most of the people they would be asked to arrest, kill, etc. The impersonal nature of bigger cities allows collaborators to see numbers rather than real people. Like Stalin said, “The death of one man is a tragedy…”
Of course, there would be exceptions on both sides of the spectrum. And we must always remember that power not only corrupts, it draws the corrupt.

That last sentence ran through my mind as I read the McMillan scenes in False Flag. You mention window tint citations a few times in regard to this trooper. Was this character and situation inspired by actual events?

HENRY BROWN: Actually, yes. I made friends with a state trooper a few years back. Unlikely, but true. Stories he shared fit with things I’ve heard from other cops and ex-cops. Basically, somebody with a badge can make your life hell now for any reason at all. Window tinting was one of the specific excuses he used to harrass people and help eat out our substance. And that BS fits thematically so well, because the Surveillance State just HATES it when something impedes their invasion of our privacy.

In Homeland: Falling Down, Cole strikes me as a character who’s just an honest soldier who wants to do his duty and avoids politics like the Plague. First of all, is this an accurate assessment?

R.A. MATHIS: Yes. Like most people, he just wants to be left alone. But also like most people, politics affects him in huge ways, whether he likes it or not.

HENRY BROWN: Like the saying goes: You may not be interested in politics, but politics sure has a keen interest in you.

R.A. MATHIS: I found your character Adiur rather fascinating. His connection to Greeley, the secret government training program, the other members of his unit with equally unusual qualities and names. Can you go into detail about this character and your inspiration for him?

HENRY BROWN: This goes back to my research on the occult and mind control, again. There are documented cases of this kind of thing, including superhuman strength, drastic voice changes, change in spoken language, and being oblivious to pain. There’s other bizarre stuff like “remote viewing” and “automatic writing,” too, but I don’t know much about those phenomena yet. Anyway, molestation as a child is pretty common in these “sleeper agents” and sex acts are incorporated into the occultic rituals for adults, too. This is where Greely comes in.

It’s all pretty horrific stuff, which is why I left it behind closed doors, and only implied “vanilla” sex, at that.

Is Cole based to any degree on some particular individual?

R.A. MATHIS: He is the personification of the dilemma faced by our troops in such a time. Hank is the same, but for civilian authorities.

I’ll ask you the same thing about Greeley and Adiur.

HENRY BROWN: Greely and Handel are amalgam characters, based on different people I’ve known and met. I’ve never been involved in drugs or the occult, but I’ve rubbed elbows with others who were. Niether of these characters are what they seem to be on the surface. Greely appears to be the sultry cougar-type “strong independent woman.” She’s the object-of-every-schoolboy’s fantasy. But deep inside she’s a sick tool who is about as independent as a marionette.

Handel’s facade is perhaps just Joe Blow Normal Dude. He’s handsome, clean, in his prime, average intelligence, a “good person” on paper…but there’s more to him than superficial observation would ever indicate. He’s been horribly abused since childhood and doesn’t even know it. He’s fractured. At the risk of spoilers, he has been conditioned to surrender his will and his body over to be used as a vehicle by Adiur–a malicious personality given access to Handel when his psyche was fractured.

I don’t know for sure that anyone I’ve ever met was a bona fide MPD. But I’ve known some guys who were blank slates like Handel, susceptible to that sort of conditioning in my opinion. Such a person has a hole in their soul, and nature abhors a vacuum.

When you first introduced Eduardo in Falling Down, I couldn’t help thinking of Geraldo Rivera. But as the story progressed, I shelved the connection. You really drew a 3-dimensional character in him. He’s a disingenuous self-promoting media whore on the one hand, but he proves to have streaks of decency as well. Congrats on that, BTW. What were your thoughts when you conceived the character, and did he wind up like you first envisioned him?

R.A. MATHIS: He actually was inspired partly by Rivera, especially after I saw how Geraldo behaved on Celebrity Apprentice (not a good look for him). He represents exactly what you stated: the self-serving, headline-grabbing media. He doesn’t care if his reporting is biased or disingenuous. The next step in his career is all that matter to him. He’s not an ideologue, but he will toe the line and support ‘the narrative’ his superiors provide to get ahead. He is a tool (in more ways than one).
It’s interesting that you ask if he is winding up as I first imagined him. I like the question because it implies Eduardo has a life of his own and makes his own choices. As a writer, that’s when I know I’’m onto something…. When I stop directing the characters and let them do their thing, writing down what I observe. That’s when it’s most fun. I don’t know what Eduardo will do or how he will turn out. How will he react when he discovers the true nature of the regime? I don’t know. He is a bit of a wild card.

HENRY BROWN:  Definitely onto something. He lives, breathes, sweats and stinks. Seriously: kudos. Very well-drawn character.

Will the presidential candidate from the prologue appear again in subsequent books?

R.A. MATHIS: The candidate, Martha Jefferson, will have a big roll down the road. And that road is gonna be a rough one.
The assassin’s “little green book” will be a factor going forward.

HENRY BROWN: How many books do you think the Homeland series will last?

Right now I.m thinking at least three, maybe four. It really depends on where the characters take the story…and sales (You’re laughing–I’m not laughing).

HENRY BROWN: Not laughing, really. Just smiling. But think of it as a smile of solidarity.

Is there anything you’d like to share about Executive Order?

R.A. MATHIS: Yes. President Tophet is just getting started. If you thought things are bad now, just wait.

Can you give a hint as to what is in store for the next Retreads book?

HENRY BROWN: I haven’t woven it all together completely yet in the cobweb of my mind, but there’s got to be a showdown between Adiur and Tommy Scarred Wolf. Also between McCallum and either Rennenkampf or Cannonball. The latter would be more dramatic. An EMP. Grid down. Starvation. Dissident extraction. Internment camps. The clergy response team. Jihadi terror cells completely unleashed. Texas secedes. Rocco and his crew take in some refugees. Clashes with occupation forces. And, oh yeah: World War Three. That’s a few off the top of my head.

Changing gears a bit, where did the idea for Ghosts of Babylon come from?

R.A. MATHIS: A few months before deploying to Iraq, I found a picture of my grandfather taken in Germany during WW2. With the photo was a note written on the tissue paper issued to GIs to write home with in those days. He had just learned of Germany’’s surrender and was looking forward to coming home and not sleeping in a foxhole anymore.

I wished I had more. More of his experiences. More of his thoughts and feelings. More of him.
So I kept a journal during my Iraq deployment so my family would have more than a picture and a note decades from then. When I finally got back home, I started writing, using the journal as the basis for a memoir. It was partly self-therapy and partly out of a desire to pass my experiences down to my children while they were still fresh on my mind.
It eventually morphed into a novel. I still don’t know why. Maybe there were things I needed to say that could only be said through fiction. In any case, it eventually turned into Ghosts of Babylon.

We all begin writing for different reasons. I once read that no one writes because they are happy. What inspired you to start writing?

HENRY BROWN: First of all, that is a cool story unto itself. Thanks for sharing that.

As for me and writing, I’ve always had an active imagination, for one. Also, from a very young age, no matter how much I liked a story (either on film or on paper) I saw room for improvement. “It would have been even better if this was changed, that was tweaked, if so-and-so would have said/done such and such…” At least that motivated me in my first creative efforts.

I kind of did that with real stuff throughout my life, too. “Hey, what just happened would make an intense scene in such-and-such type of story.” Or, “Oh wow–check that out! I’d love to be able to capture what I’m seeing/feeling right now and reproduce it.”

There have been times when I really should have been completely focused on reality and my part of whatever task was at hand, but part of my mind was already busy plagiarizing the situation. Somebody once called me “a cultural scavenger.”  I still have mixed emotions about that remark. Maybe he meant it as a compliment, but it still seems a bit insulting. Nevertheless, there must be some truth to it, since I’m constantly compelled to weave fragments of life experiences together into stories (which are much more exciting than real life).

In fact, that’s still at work today, in yarns like False Flag. All these trends are converging toward a perfect storm that promises a bleak future and an end to life as we know it…so why not insert some guys like the Retreads, who won’t take it lying down, no matter the odds. Islands of integrity in a world of treachery. They’ve got the skills and wits to bring smoke on some scumbags in the process. And most important, they’re compelled to try to make a difference.

You strike me as a voracious reader. I sure used to be. When I was on active duty, when possible, I always had a paperback stashed in my cargo pocket or rucksack, for the inevitable “wait” phase of the old hurry-up-and-wait S.O.P. Did you keep a book stashed in your tank?

R.A. MATHIS: I read a little of everything. I especially enjoy sci-fi, fantasy, history, philosophy, and even a little horror. Unfortunately, working and writing leave far less time for reading than I would like. I read as much as I can, but am frustratingly slow at it. I often supplement reading with audio books and YouTube.
I usually had a book handy in the Army, but never got to read it on the tank as I was the platoon leader and barely found time to eat and sleep during operations. But I read constantly during after-operation downtime. Like you, there were also the times waiting on the tarmac for a flight, leaning on my rucksack, stealing a few pages here and there.

HENRY BROWN: Oh yeah, I got a lot of reading done sitting around Green Ramp in my lower enlisted days.

R.A. MATHIS: What do you enjoy reading most?

HENRY BROWN: Excepting horror and philosophy, the same ones you listed, plus classic pulp; westerns; war (fiction and non); military history; and various & sundry fare from the blogosphere in the “neomasculine” genre.

Have you/do you read SHTF or TEOTWAWKI fiction from other authors? If so, which do you recommend? (Some authors I recently discovered, who have written some enjoyable books, are “Joe Nobody” and Mark Goodwin. I’m curious about “A. American” and some others, but haven’t taken a chance on them yet.)

R.A. MATHIS: Oddly enough, I haven’t read many other SHTF works other than False Flag (which I thoroughly enjoyed) and a bit of James Wesley Rawles first book, Patriots. I want to keep Homeland original as possible, so I’m avoiding similar works right now. I do plan to read them once I’m a little further into the Homeland series.

HENRY BROWN: Interesting. It seems that it’s paying off–Falling Down did not seem derivative or imitative of any other SHTF works I’ve read. And thanks for that!
I read Patriots as well, and have considered trying more of Rawles’ fiction…but haven’t, yet.

R.A. MATHIS: Which authors do you recommend I start with?

HENRY BROWN: Me, of course. But seriously, you might want to try “Joe Nobody“–he blends prepping info into his narratives fairly well. The protagonist in the ones I read was easy to root for. The action was believable. Overall a good read.

R.A. MATHIS: Thank you again for having me, Hank. Your questions were enjoyable and thought provoking. I truly enjoyed them.

HENRY BROWN: Hey, same here. We should do this again some time.