Fantasy, Reviews

Tears of an Indifferent God by Isom Ashe

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Agoric Myths Book One by Isom Ashe

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Welcome to Tears of an Indifferent God, a not-so-Greek mythological world where heroes are not what they seem and where pretty much every man and woman is bisexual! This book is comparable to a visit to the dentist: it hurts, it sucks, and we can’t wait to be done and over with!

But let’s take it all one breath at a time…

It’s not clear why the author decided to take all the most popular elements of Greek mythology and simply give them all different names. I understand taking inspiration from ancient mythology but to simply take well defined legends and just assign them new names seems lazy at best. So instead of Mount Olympus we now have Mount Arimus; instead of Aphrodite Goddess of Love we have Terha Goddess of Ecstasy, Zeus is now replaced by Gracix…You get the idea.

Hindsight, I speculate to believe that these lazy alterations were made intentionally by the author as to get away with the horrendous liberties he decided to take in order to ‘modernize’ some of the most ancient and most beloved legends.

 

CREATIVE LIBERTIES?

Despite the fact that we’re supposed to witness a mythological civilization, with fantastic characters and ethereal gods, it all feels very XXI century. The dialogue, the thinking process of the characters, even that weird Disney/MCU superhero vibe, at times!

You have Gordon, the legendary hero and the people’s champ, who is part of the Helios League of Heroes. You have Solacles, our MC, who keeps blaming Gordon for the death of his parents when he was still a child. You have Agda, Sola’s girlfriend (or not, since she sleeps with everything with a pulse?) who just wants to party and have fun, since the prospect of marriage is viewed as a daunting burden. You have capricious gods with hearing impairments like Terha, who can’t hear what a mortal is saying if other mortals are talking over him (not kidding!) and who feels the urge to expose herself whenever she witnesses mortals engage in debauchery!

 

PLOT: 

The plot stems from a series of the most illogical decisions made by these characters. It seems as if anything goes as long as it helps move the plot a certain direction. Nothing feels organic: Sola, our MC, gets promoted to commander in chief for simply stabbing a minotaur in the back and with zero military experience. Gordon, the greatest warrior of all times, who has a resume of slaying giants and demigods, ends up falling to a few stab wounds inflicted  by bird men wearing feather suits! All these weird decisions just so that the plot can move where the author wants it to move, no matter how nonsensical it all feels.

NO REDEEMING QUALITIES: 

What all these characters share is that none seems to possess any redeeming qualities. As we read about their ‘adventures’ it’s hard to feel emotionally invested in any of them. Sola, the MC, is described as someone who, when feeling down, ”often hid himself in the arms of a man or woman and drank away his sorrows”. 

Agda, Sola’s female supporting character, will sleep with anybody and everybody without a blink of an eye, yet she stands by Sola’s side ‘faithfully’…

Gordon, the warrior/hero is the typical dumb jock who can only think with his muscles and lives to slay monsters and bed women (and men).

 

CONCLUSION: 

To me this book felt as though the author was indulging himself in creating a fictional world that represents perhaps his ideal utopia. Homosexuality, heavy drinking, gods who act more like children than even human adults. A world where friendship without sex does not exist, where monogamy is scoffed at, where family is whatever we want it to be…or nothing at all.

This is exactly what is wrong with modern fantasy literature in our times. These authors not only fail to catch the nature of mythology but their use of these legendary icons comes across as shallow and  superficial, with the only purpose to twist them in ways as to confirm and reinforce their modern progressive perceptions.

🦀

Action, Reviews, Sci-Fi

Lucid Reality by M.D. Boncher – a Review

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LUCID REALITY: Tales from the Dream Nebula Book 2 by M. D. Boncher

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As promised in the previous review (Dreams within Dreams), I was so pleasantly surprised with the writing in this series of the Tales from the Dream Nebula that a review of volume 2 was unavoidable!

Boncher is a skilled plot creator; he possesses such an acute sense of when to push the envelope and when to slow things down, that at no point do we feel as though we’ve gotten enough of these adventures in the Dream!

What impresses me most is that even within the confines of this fun-loving, action-packed genre, Boncher still manages to display some mighty fine prose. His writing just jumps off the pages with life and color not typical of your average indie pulp novel.

PLOT:

I won’t waste too much time in explaining the plot of Lucid Reality since it picks up where Book 1 left off, so I encourage you to pick up Book 1 first. It’s worth it!

After barely escaping  with their lives, we find Winston and crew seeking asylum on Nova Tortuga, where Commodore Robert welcomes them with open arms.

What happens here is something not typical of the pulp genre, which is to keep the main character ‘offline’ for a determined amount of time while other characters will move the plot forward. Other than Boncher, the only other current pulp writer I know of using this approach is Robert Victor Mills in Man of Swords.

Keeping the MC offline creates a number of interesting circumstances that the reader usually would not expect. And so, for the entire first act of Book 2, Winston lays unconscious while the story follows the actions of other significant characters like Mother, an AI being who will prove crucial in the plot development.

A FEW ISSUES?

I don’t mean to sound too picky but it’s always important to highlight minor issues even in an awesome book such as LR:

  1. The scene where the Sierra Madre is approaching Nova Tortuga felt dragged and a little too prolonged in its description
  2. Conversely, the scene of the big trial before the mighty Emperor Xiao felt like a lost opportunity to create the type of tension that would highlight the eloquence and wits of both the plaintiff and the defense, thus making the final verdict much more emotionally satisfying for readers.
  3. I noticed some euphemisms that just felt misplaced, given the context. The most noticeable one was when Winston said: “Like watching your favorite horse be put down in her prime”. This comment just didn’t resonate well with me considering what type of man Winston is. I highly doubt he would know a thing about owning horses… Again, not a deal breaker but worth mentioning.

CONCLUSIONS:

When I reached the last page of Lucid Reality, I asked myself if I was left wanting to read Book 3, and my answer was a very loud and clear YES! What Boncher manages to accomplish is creating a narrative that is fresh, innovative, and original. Yes it does come with a few quirks and a few missed opportunities, but the stakes that have been raised are compelling to say the least.

Buy Book 1 and 2 as they are both INFAMOUS🦀REVIEWER recommended and keep an eye open for the upcoming review of Book 3: The Waking Nightmares.

Support our indie writers… at least the good ones!

🦀

Fantasy, Reviews, TRENDS DIE OUT; LEGENDS LIVE ON

The King of Elfland’s Daughter – a Review

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TRENDS DIE OUT/LEGENDS LIVE ON:

The King of Elfland’s Daughter by Lord Dunsany

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Where most modern sword and sorcery tales come to a conclusion, 1925’s The King of Elfland’s Daughter is just rounding up its prologue. Let me explain…

In most traditional stories that find a knight in pursuit of a fair princess in a distant and dangerous magic land, things usually wrap up after the knight goes through a series of trials and tribulations (like breathtaking sword fights with terrible creatures)  rescues  the princess, and manages to escape so that they will get married and go on to live happily thereafter. But in KOED--written by legendary author Lord Dunsany–that constitutes just the initial set up for the main plot of the story!

 

PLOT:

When the parliament of the Kingdom of Erl decides that it’s time for the kingdom to add magic to the land in order to gain more power and respect among the other nations, Prince Alveric is assigned to the task of infiltrating Elfland, kidnapping Princess Lirazel, bringing her back to Erl, and starting a new magic-powered dynasty.

With the aid of witch Ziroonderel, who forges a magic sword for Alveric, mission is accomplished: the princess is brought back to the world of mortals and a new royal dynasty thus begins.

The love of Alveric and Lirazel will bring to life a son, Orion. 

THE FIELDS WE KNOW/ELFLAND:

The author defines a clear-cut divide between the world of mortal men (aka the fields we know) and the world of the elves (Elfland). The atmosphere is different, the flow of time is different, even the objects of worship differ between the two realms.

Soon Princess Lirazel grows weary and heavy-hearted in the world of mortals despite her love for Alveric and son Orion. She feels overwhelmed by this mortal realm and by the concept of Time itself even. Alveric even realizes that:

 

“And the days that remained to her now seemed scarce more to him, dwelling beyond the fret and ruin of Time, than to us might seem a briar rose’s hours when plucked and foolishly hawked in the streets of a city. He knew that there hung over her now the doom of all mortal things.”

 

 Lirazel panics and flees back to Elfland, and by the power of her father the King of Elfland, the entire elvish kingdom disappears from sight, becoming inaccessible to both human or beast from the fields we know.

Alveric in a hopeless quest will spend long years on the road searching for Elfland and his wife, but to no avail. 

All the while son Orion grows into a healthy boy who loves hunting with his pack of well-trained hounds, though no signs of magic are apparent within him, to the disappointment of the citizens of Erl… Until he makes contact with troll Lurulu, who roams on the edge of the two kingdoms and is spotted first by Orion’s hounds. This sends a clear message to the people of Erl that perhaps they do have a magic-imbued heir at court.

NEXT LEVEL FANTASY:

To be quite honest, many are the fantasy titles available today but few are those rich in the main ingredient: FANTASY! 

What I mean is that most contemporary fantasy novels utterly fail in portraying places and characters that truly feel foreign to our world. What Lord Dunsany accomplished in KOED is bringing about something that feels more like an ancient legend or myth not written by mortal hand. 

This is truly ‘next level’ fantasy. Whereas it is Lirazel not understanding the way of humans or Lurulu the troll trying to grasp the meaning of ‘tomorrow’ or the act of ‘sleeping’ (coming from a land where time has no meaning and sleep is a foreign concept), Lord Dunsany uses a compelling prosaic style that will make you wonder in awe again and again: it’s beautiful but foreign; inviting yet mysterious.

 

CONCLUSIONS:

We hear the term ESCAPISM a lot these days in the fantasy genre, but truly we won’t know its full meaning until we read The King of Elfland’s Daughter! To read this is to ‘leave’ Earth and to visit lands that exist between reality and dream. 

Keep in mind that Lord Dunsany published this before Tolkien even wrote Lord of the Rings, and in some aspects I believe he laid the foundation for the fantastic and the ethereal literature of the future. Whereas this is accomplished through the introduction of the elves, the trolls, the unicorns that roam Elfland, the magic sword yielded by Alveric…

LEGENDS start right here! And they start with The King of Elfland’s Daughter!

🦀

Fantasy, Historical, Interview

Interview with the Brothers Krynn

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🦀: Both of you gentlemen are like writing machines, with a very extensive body of work. So why did you choose Crown of Blood as your first published title?

 

Joseph & Daniel: It seemed a short project and one we both liked, so we just did it. 

🦀: The book revolves around the bloody history of the crown of Caledonia (now Scotland). Why did you decide to focus on that particular region to develop your story on?

 

Joseph: Because we’re part Scottish and since I first began studying Scottish Medieval history & folklore I developed a strong sense of kinship with the Scots, and could not resist developing something of a mythology for them. 

🦀: Even though Crown of Blood is structured into short stories, they’re all part of a larger tale. Did you feel like this wouldn’t have worked as well if it were to be presented as just one long story divided into chapters instead?

 

Joseph & Daniel: No, it would not have worked half as well, due to us having to stick to one overall narrative/set of characters rather than dancing between all the characters that we follow the perspective of in the story. That, and it would have been even more confusing in our view. 

🦀: As a reader progresses into the book, more characters and more names are being introduced, and sometimes many characters have the same names as their predecessors. Did you not consider that at some point things could get a little confusing for readers in general?

 

Joseph: Yeah, and it’s why for the sequel and next edition we’re planning to add a family tree and a map. 

🦀: I was particularly fascinated by the ‘three crones’ that keep appearing here and there throughout the book. Who are they really and what are their origins?

 

Daniel: The three crones are from Shakespeare, they are the three hags that corrupt Macbeth in the play, except we’ve set them up in our world. As to their origin, not sure we’ve fully developed all the ideas for their backstory, but we’re currently working on it. 

 

🦀: Today there seems to be confusion about what the image of the classic knight should look like. If you had to condense the elements that cannot be altered from the model of the classic knight, how would you do that?

 

Joseph: Honourable, intelligent and bold, and utterly devout. I’d say Aragorn, Roland and also the likes of Conan the Cimmerian are all good examples of classic knights. 

🦀: With modern feminism, we have seen a rise in both literature and entertainment to create female heroines, soldiers, and knights. These women are basically doing what men do in every aspect. Do you think that is how we ought to portray ‘strong women’?

 

Joseph: Nope. We ought to portray women as feminine. We can portray women as fierce warriors but must never forget to write flawed and human women, who struggle just as men do but who have a certain femininity about them. Honestly feminism has ruined female heroes. 

🦀: Speaking of strong women, it is no secret that my all time favorite strong woman is Joan of Arc. But she never even killed one man in battle (though got wounded herself on the battlefield twice) and she is not known for her skills in combat or sword fighting. Yet her strength humbles me and inspires me daily. Why is someone like Joan not praised today (not even by women!) despite the fact that our society is constantly looking for superheroines for inspiration?

 

 

Joseph: Because for one thing Jehanne was a pious woman who looked to God, and society has lost touch with God. What is more is that Jehanne was a gentle woman who loved her nation, and to love one’s nation is also out of style in our modern times. Jehanne thus represents everything that is antithetical to modernity and liberalism; a pious, kindly, feminine and nationalistic woman who sacrificed for others. 

🦀:  When can we expect your next official publication to come out and what is it going to be about?

 

Daniel & Joseph: Not sure…Joe’s hoping to have Darkspire Conspiracy published some time next year. And we’re thinking around January or February to have Crown of Blood Part 2 finished and hopefully published. After that? We’re also hoping to publish around December the first book of Olympnomachi, a massive Silmarillion epic Joe’s been working on for years. 

 

🦀: Thank you Joseph and Daniel, I’m very proud of you and what you are doing is perhaps even more noble than you can see right now. Your writing tells me that NEW LEGENDS are being made!

🦀

Adventure, Reviews, TRENDS DIE OUT; LEGENDS LIVE ON

King Solomon’s Mines by Henry R. Haggard

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TRENDS DIE OUT/LEGENDS LIVE ON:

King Solomon’s Mines by H. Rider Haggard

Reviewed by

I’ve said this before and I’ll say it again: Henry R. Haggard is the best adventure/exploration fiction writer of all time. The reason why he-and so many other authors of the past-excel to such an extent at their craft is because of a number of factors: first and foremost because these individuals did not live in a Google search engine society, but drew inspiration from first-hand experiences. They themselves traveled, explored, went on hiking trips, hunting, fishing, even went outside for walks! All this contributed to building a portfolio of experiences that resonate in the pages they wrote.

Haggard was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre. He was also involved in agricultural reform throughout the British Empire and spent many years traveling to those far and exotic places we read in his body of work. Haggard did not just Google search ‘Central Africa’– he spent time in Central  Africa! 

I’m not saying that all authors must travel or become explorers in order to write decent books, but we must admit that those life experiences clearly provide a net inspirational advantage.

 

Haggard writes in KSM: “How we enjoyed those marrow-bones, though it was rather a job to crack them! I know of no greater luxury than giraffe marrow, unless it is elephant’s heart, and we had that on the morrow.” Such a descriptive paragraph can only stem from that first-hand experience we’re discussing here. Very few modern writers can ‘go there’ (pun intended).

WRITING DEVELOPMENT: 

This novel is from 1885 whereas She  is from 1887. In those two years, Haggard’s writing style changed substantially. This earlier work is more straightforward, more action-oriented, and deals less with the metaphysical and the transcendental. If you prefer action/adventure with a taste for lost world narrative, this is IT. You won’t find any other novels from any time period that can match KSM!

 

PLOT:

We find our main character, Allan Quatermain, already advanced in age (50+) when he is recruited by Sir Henry Curtis and his partner, Captain Good, to join a rescue mission to find Henry’s brother who was last seen attempting to find the coveted diamonds allegedly located at King Solomon’s mine in Africa.

What Quatermain can’t predict is that in their voyage, the three men will find themselves stuck in a power struggle among local tribal chiefs, and they will have to pick sides and fight a fight that is not even theirs. But that’s necessary in order to move on with their mission and find Henry’s brother and the diamonds. 

 

A SUPERIOR EXPERIENCE: 

As you read KSM, you might feel tempted to go back and search the original date of publication. Why do I say this? But because the prose, the concepts, the plot lines are so rich, so full of life, so unpredictable at times that we might wonder how this was written when we didn’t have the technology of today! And that is exactly the valid point that raises the question: has modern technology aided in improving not only our writing skills, but also our powers of perception? How these XIX authors viewed the world obviously led to storytelling that is unmatched today. And if they were as closed-minded as we’ve been told, how could they conceive situations and circumstances modern writers can’t even grasp?

 

CONCLUSION:

King Solomon’s Mines is not just adventure pulp fiction, it is a treasure of Western literature. From Indiana Jones to Lara Croft and anything in between pales by comparison, and Allan Quatermain is the quintessential adventurer/hunter who will be immortalized through the ages as a TRUE LEGEND!

🦀

Action, Adventure, Alternate HIstory, Reviews, Sci-Fi, Socio-Sexual Studies, Speculative, Sports, Time Travel

Paradox 1: Escaping Fate by Henry Brown

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Paradox 1: Escaping Fate by Henry Brown

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I don’t like time travel tropes. The whole concept of time traveling usually ends up giving me a headache. But I’d be a liar if I said there were NO works of fiction out there (based on time-traveling) that I didn’t end up loving over the years. The biggest example of this is Wild Stars by legendary Michael Tierney!

 

A new series can now be added to my collection of rare favorite time travel-based pulp novels: PARADOX, written by none other than your Virtual Pulp editor-in-chief Henry Brown!

Escaping Fate covers the entire first volume of Paradox, and this is where we are introduced to our main characters–Peter and Uncle Si–in their present circumstances. But before we discuss those in more detail, it’s important to see that this story is comprised of THREE fundamental layers which work together to produce what I believe is a new cultural dimension of Americana:

  • Socio-cultural
  • Developmental
  • Fictional

Socio-cultural: the story is not just a fun and exciting adventure, but it is a mirror of the social and cultural aspects of humans–specifically in the US. The time traveling tech here offers an eye-opening lesson on how and why humans behave the way they do, and from one generation to the next. Why were people in the 1950s, for example, so much different in behavior, likes, dislikes, interests, and ambitions from our contemporaries? Or why was a family able to sustain itself on a single income? These and other complex socio-cultural questions are intelligently tackled in the pages of EF.

 

Developmental: Daniel and Mr. Miyagi, Rocky and Mickey, Neo and Morpheus. What all these iconic duos have in common is that they all show a very special teacher/student relationship, with the student going through a developmental journey which otherwise would have never taken place. Similarly, young Peter literally goes through his own transformation/maturing via the teaching of Uncle Si. The image of the mentor not only supervising the student but caring for him and nurturing him is here on display and THAT is where for me the story really sets itself apart!

 

Fictional: the time travel technology, the rigged vehicles and airplanes, the ‘invisibility’ raincoats, are all showcased here in all their glory. This is the sci-fi element of the story. If you like to read about cool toys, there’s plenty to spare here!

PLOT:

Without giving too much away, Peter is a kid of age 12-13(?) raised by a single mom in 1988(?) St. Louis. Living in a shabby trailer with mom, barely making ends meet is a constant toll on Peter’s psyche. The health of a child is strictly connected to the health and cohesiveness of his family. Eating stale buns is the norm for Peter. Not having friends other than his dog is just one of the many results of his present situation.

But circumstances suddenly turn around with the arrival of enigmatic Uncle Si into Peter’s life. Uncle Si takes Peter under his wing to teach him how to basically stand for himself and become a man. When a group of futuristic hitmen attack his trailer–taking the lives of both his mom and step-brother–Uncle Si rescues Peter and enlightens him on his true identity as a time travel bandit.

Peter and Uncle Si will visit several time periods together, and each trip will prove a teaching lesson for the youngster.

CONCLUSIONS:

I think that this book should be read less as a sci-fi novel and more as a source of reflection upon the history of the US and the West, and understand what elements have played a role and continue to play a role in the quality of life that is considered the norm. If you lean left you’d probably be skeptical of some of its content, and that’s OK too. But in my humble opinion this is a pillar of US fiction literature and families should read this together and have a conversation about it.

The refreshing thing about ESCAPING FATE is that the author understands that portraying people from a different era is not just about putting them in period clothes. Their cognitive processes were developed during entirely different circumstances than ours. Their attitudes and tendencies are going to be different from ours. This is something that a big majority of modern writers fail to grasp or refuse to acknowledge.

My only issue was that the ending of Book 1 felt very incomplete. Readers won’t feel a sense of fulfillment UNLESS they read Book 2 next. That’s fine, but like I always say: if you expect readers to PAY for your book, you have to offer some sense of fulfillment by the time they get to the last page. Can you read Book 1 by itself and get some degree of fulfillment? Or does it leave you hanging like you just bought ⅙ of the entire book?

My advice? By all 6 volumes together! 

🦀

Editor’s note: A “box set” of all six E-Books in the series is forthcoming.

UPDATE 1: The Box Set for Apple, Kobo, B&N, and other non-Amazon sites, is available for pre-order.

UPDATE 2: The Box Set is now available on Amazon.

Reviews, Sci-Fi

Dreams Within Dreams – a Review

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Dreams Within Dreams – Serial One: Omnipresence by M.D. Boncher

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If Onslaught  resembles a sci-fi/action movie from the 90s, Dreams Within Dreams might recall The Fifth Element and  2002 TV series Firefly. Add interesting characters, a solid plot line, and just the right amount of comedy, and you have an instant winner of modern indie pulp.

What this short and enjoyable novelette also does is prove that you can have a simple, straightforward story without flat-like-pancakes characters and wooden dialogue. In fact, characters like our protagonist, Winston, display a level of humanity and depth that might be subtle on the surface yet very engaging as their adventures progress.

Same with the plot. Boncher will take us for a rollercoaster ride but he is wise enough to avoid tired-out stereotypical tropes that oversaturate the current market. His writing approach is what I admire most: don’t write solely having in mind the reaction of your readers but write what makes sense within the story you are telling.

PLOT:

Winston lives in what is referred to as ‘The Dream’, a reality that resulted from King Xiao destroying the world as we know it. In this new world Winston works for a freight company, moving goods and parcels by way of his space tug the Sierra Madre, and with the aid of a mechanical humanoid named Billy Joe.

After being offered a gig that would earn him more money than he’s ever dreamed of, Winston finds himself caught in the midst of the illegal trafficking of weapons of mass destruction for a dangerous cartel. By the time he finds out what his cargo holds, he’s in too deep! Throw in the mix two undercover officers onboard, Mr. Tollman and Ms. Iverson (aka Holly), and Winston’s plan for a big payday quickly becomes the worst ride of his life!

 

CHARACTERS:

Character development is important whether we’re talking about a very complex storyline or a very simple one. Simple characters should not be BORING characters. And in this short novel we see that formula applied to characters like Winston or even his mechanical co-pilot Billy Joe or even the attractive yet mysterious Holly. 

Winston on the surface seems to be a very practical down -to-business type of guy.  “Get the job done and get paid” is his mantra. But underneath that seemingly pragmatic persona, Winston hides demons that keep haunting him in his sleep. So much so that he finds himself almost addicted to this virtual reality rig he hooks himself up  to whenever he can, to escape a harsh reality. Readers will learn more about Winston as things progress and Holly will soon become a determining factor in Winston’s life. But not in the way you would expect whenever a stunningly attractive woman is involved.

 

A NOTE FROM THE REVIEWER: 

The author states that “the idea came to me after watching a whole bunch of old Flash Gordon serials and was like, yeah, that can be done.” The issue is that not everything that works in TV or comic books will necessarily work in novel format. 

I’m particularly referring to how Book 1 ends with a cliffhanger and really makes you feel like nothing got done, or accomplished, or fulfilled despite characters and plot becoming more and more engaging. I think every novel , even in a serialized format , should make the reader feel like things moved from point A to point B and certain goals were reached or accomplished. Here, the end feels truncated and unless you don’t buy Volume 2 you are left with a partial story, literally. My opinion is that the author should have published the entire story including Book 1, 2, and 3 as one single book because, honestly, Book 1 feels somewhat unfulfilling in the end and it felt like someone turning off your TV just when things are getting intense. Is that really how we want to feel after spending money to purchase a book?

CONCLUSIONS: 

Obviously this will get a follow-up review of Book 2, Lucid Reality.

 If anything I hope the quality enjoyed in the first book will continue and then we will go on and cover Book 3, The Waking Nightmare. 

I highly encourage you to get all 3 books together since the author ‘s approach mentioned earlier might leave some of you disappointed, or dissatisfied perhaps, by only reading Book 1 by itself!

Fantasy, Historical, Reviews

Crown of Blood by D.L. & J.C. Chaput

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CROWN OF BLOOD by by Daniel Leo Chaput & Joseph Claude Chaput

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Crown of Blood was the result of the combined minds of brothers Daniel and Joseph Chaput, also known as the Brothers Krynn on Substack. Bros Krynn are perhaps the most prolific and inspiring authors on Substack, just now passing the 1000-sub mark, and deservingly so! Their body of work is as extended as it is inspiring. From their essays to their short stories to their news articles, these two are constantly researching and writing!

Their first published book is a collection of short stories which are all linked by a common thread: the bloody and violent history of the crown of Caledonia (now Scotland). Each short story is written by either Daniel, or Joseph, or both, in a relentless chronological fashion, and each story is accompanied by short poems, also written by the authors.

 

CONTENTS:

 

    • In the Valley of the Dark River: where we learn of the fall of king of the Caleds, Mael-Martin after an impetuous and disastrous military strategic decision.
    • The Final Supper: King Domnall, frustrated at ruling a kingdom in dissent, shows weakness that his family sought to take advantage of, and ultimately ends up being assassinated.
    • The Man who thought himself King: Ringear, brother of the late King Domnall, now High King and monarch of the Eastern region, deals with the phantoms of his deceased relatives, including his own son.
    • Brother against Brother: King Achaius kidnaps Princess Isla, not knowing that a Northman temporarily serving as head of his guards will get in the way.
    • In the Shadow of the Longwoods: Duibh, son of Ringear, now king, has a strange meeting with the three mysterious crones who prophesy his fate.
    • Death in Hallowed Halls: Newly appointed King Domnall son of Ringean is counseled into gaining the support of the clergy to keep in power.
    • The Fall of the Two Kings: Padraig, with the aid of Mormaer Adaidh, infiltrates King Ketill disguised as a monk in order to claim revenge on his brothers.
    • The Blackcrow-Fields: Achaius III son of Ketill-with the aid of Uncle Siomon-orchestrates an attack on newly established high king Padraig, to avenge his father.
    • To Defy a Dragon: Achaius III is set upon attacking Razenth in the North despite the counseling of Cinaed to abstain from taking the offensive.
    • The Black Mormaer: newly appointed high king Baltair, brother of foolish Achaius III, decides to heavily tax his kingdom in order to raise an army, only to be taken prisoner and ultimately die in captivity.
    • A Dagger in the Night: prince and soon to be king Amlaib falls in love with bard Jehanne despite court gossip surrounding the event.
    • The Mid-Autumn Hunt: Amlaib II succeeds his murdered father to the dismay of Cinaid II who was sure he’d be the one to gain the crown.
    • The Triumph of the Thistle: Siomon MacCausantín returns to claim the crown from murderer-turned-king Cinaed II.

 

BACK TO TRUE MYTHOS:

What sets this book apart from most of what I’ve read lately is its unique blend of the historical with the mythological. And so as we read all about the fascinating history of Medieval Scotland, we will witness the introduction of mythological characters such as the dark elves, the dwarves, and even dragons. But this is done in a way that has not been done before. Today we see an oversaturated market for the  fantasy fiction genre, but very few classic ‘fairy stories’. By fairy stories I’m referring to stories more resembling those of Roland The Knight, King Arthur, or Sigurd, to name a few. 

PLOT:

The stories you will read all revolve around a seemingly cursed crown of Caledonia. You will read of the three mysterious crones (witches?) who prophesied the death in blood for each subsequent monarch to hold the crown and how the curse will affect not only the high king but those around him, in some very unpredictable ways, and from one generation to the next.

 

HOW IT ALL CAME ABOUT:

Initially these stories were supposed to be part of the appendix of a novel Joseph Chaput was working on when his brother Dan became so fascinated with the characters that it transformed into its own project (similar to what has been done with some of Tolkien’s material).

A WORD OF CAUTION:

I must point out that due to the very nature of the work in dealing with genealogy and each story presenting descendants after descendants, readers must be cautious not to get thrown off by all the names and locations they will encounter. Particularly when many of the characters are named after their predecessors, it can be hard to keep track of who is who, jumping from one story to the next. I found myself having to go back and forth to make sure I could identify each next character accurately. Those of you who are into history and the study of genealogies should be fine or even appreciate it.

 

LEGENDS IN THE MAKING:

On a personal note, I must say that the Bros. Krynn and I truly speak the same language (not French, even though that’s their first language!). I mean the language of TRUE LEGENDS! 

We live in a world where progressive modernism is trying to grab those legends, myths, and fairy tales of old, and twist them to suit their deranged fancies. Bros. Krynn are a bastion of truth, honor and respect for what came before us, and they are able to capture the essence of myth and legend within an accurate, undefiled, historical setting.

BUY THIS/SPREAD THE WORD:

This book is not getting the attention it truly deserves on the market right now and I encourage you to pick up a copy and leave a review. At the time I picked up mine there was only ONE review on Amazon! Help us change that!

There is NO OTHER author/s out there who is doing what the Bros. Krynn are doing, in terms of writing true mythos in its purest form. 

Though Crown is their first official publication, Bros Krynn plan on releasing part two early next year and a full-length novel called Brotherhood of the Gemstone, a “Scottish Lord of the Rings of sorts” (Joseph Chaput).

New LEGENDS are in fact being made!

🦀

Reviews, Sci-Fi

The Hand of God by Yuval Kordov

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THE HAND OF GOD: DARK LEGACIES BOOK 1 by YUVAL KORDOV

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When I consider Book 1 of Dark Legacies, the first words that come to my mind are: professional; competent; pragmatic; cerebral; thought-provoking. This is the type of book I might mention when folks claim that indie fiction is somewhat sloppy, mediocre, and weak. In fact, I would put the writing skills showcased by Kordov against any of the most popular tradpub’s on the market today.

That doesn’t imply that The Hand of God is a perfect sci-fi presentation, but the good FAR outweighs the bad. This is a labor of love that the author has invested years in crafting and perfecting, and that is admirable and inspiring.

 

CONTENTS:

The book is divided into

  • Prologue
  • Part 1
  • Part 2
  • Part 3

Prologue and Part 1 come off as being over-ambitious for no other reason than the fact that they feel too fragmented and confounding. This is where we are first introduced to the character of Esther and the whole narrative is a dissonant amalgamation of thoughts, dreams, visions, and memories relentlessly thrown at a reader over and over again. We see this artistic approach utilized in cinema often, where the  director uses quick cuts to abruptly overlap one scene with the next, as the character goes from awakened state to dreaming to visions, back to awakened state.

This technique doesn’t translate well from screen to prose, and it ends up irritating the senses more than stimulating them. 

 

THE MEAT:

Part 2 and 3 in my honest opinion is where readers will finally get rewarded and find their footing. The introduction of characters like Baptiste, Sophus, and Rebekah really propels the story to next-level awesomeness!  You will learn of a world which has endured not one but two apocalypses, and a city that carries the hope of man’s reconciliation with God. The prose is exquisite, the attention to details impeccable, the characters breathing with depth and humanity. 

HIGH CONCEPT NARRATIVE:

This story is a classic example of high concept narrative. High concept (as opposed to low concept) is never strictly centered around one single main character (i.e. Conan the Barbarian) but it’s rather about a multitude of characters who contribute to the story at some point.

This is in essence “a story about finding faith and finding purpose through suffering, which materializes through the lives of my characters.” (Yuval Kordov)

 

CONCLUSION:

If you want to experience a faith-based epic sci-fi legend of ambitious heights you MUST read The Hand of God. If this ever gets a big screen adaptation we could have the best visual feast since Dune and Stalker! This is a book that gives me hope in the indie sphere of fiction writing moving forward.

Will I read and review Book 2? The real question is, how could I not!

🦀

Editor’s note: Time is running out on the Based Book Sale–stop, shop, and enjoy some non-woke books on the cheap or even free for just a few more hours!

Action, Adventure, Fantasy, Reviews, Sci-Fi

Velin: The Rifle’s Song by Black Knight

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Velin – The Lothorian: The Rifle’s Song by Black Knight

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When I first picked up and started reading The Rifle’s Song, which consists of Book 1 of Velin The Lothorian, I couldn’t help but get Star Wars vibes with a ‘Conan the Barbarian” type of main character. This is probably due to the blend of sci-fi and classic fantasy/action that we get to read starting on page 1 and all throughout this book. The author  unsurprisingly credits R. E. Howard’s Conan The Barbarian for his inspiration of this character.

But the comparison to Howard’s classic hero ends right there at the surface.

 

CONAN/VELIN:

The son of farmers in a distant world, Velin grew up learning hard work and how to farm land from his father. After his mother’s death due to illness, at the age of 8 a gang of slavers attacks his village, killing his father in the process and taking young Velin as a slave for hard labor.

And just like Conan, the following years of hard labor and harsh conditions will forge him and prepare him to become the unique warrior he’s destined to become.

After years of captivity Velin earns his freedom by sheer will, acute killer instincts, and physical prowess. When he is taken up by a group of Terran samurais called the ‘Terr’aan Knightly Order’- dedicating their lives to fighting slavery and injustices across the universe-Velin masters the fine arts of combat, thus becoming the perfect killing machine to fight evil and protect the weak.

 

NOBLE INTENTIONS/WEAK EXECUTION: 

Let me emphasize the indisputable fact that the author known as Black Knight is truly an outstanding human being with a noble heart. He understands the concepts of good and evil, of chivalry, of the pure and selfless hero. However where I feel he falls short is in putting it all together, for different reason:

  1. Character Development: all the characters we encounter in this story feel like they need more fleshing out. We know the basic facts about them but they are all very one-dimensional and they function only on one gear.

For example:

“He sought to draw strength not from his bleeding, scorched body, but the hallowed Terr’aan railgun instead.”

I thought it was awkward to have the main character draw strength not from his mother or father, or even his mentors, but from an object, his railgun (??)

2. Prose: I know English is the author’s third language but when we decide to put our book on the market for a price, we should ensure that the editing/proof reading is up to standards. The writer has this tendency to always put the subject last in a sentence which creates awkward structure overall.

          Example:

“Gargling, the dying, terrified beyond measure road bandit, raised his hand.”

 Also there are some word choices that the author overuses like olden instead of ancient, or nigh instead of near, or ‘twas instead of was. 

I understand that indie authors for the most part work a day job and professional editing costs money, but if we feel readers should PAY to read our books, competent editing and presentation are essential.

CONCLUSIONS: 

This is a book very well suited for younger readers who enjoy comic books and are perhaps only now finding out about the beauty of long-format fiction. Children of 10 years and older would absolutely love it. This would make a great gift to those youngsters that we want to introduce to classic pulp. 

I know Black Knight has a big following online who seem to genuinely love his work, so don’t let this review dissuade you from at least sampling his pulp novel.

🦀

Editor’s note: Make sure to stop by the Based Book Sale and find yourself some great reads!

Red-Blooded American Men Examine Pop-Culture and the World