Category Archives: Fantasy

A Crack in the World  by James Mordechai

A Crack in the World 

By James Mordechai

A review by INFAMOUS🦀

This next book we are going to look at was of particular intrigue for me personally because of its premise. Once I started to flip through pages I quickly realized this was one of those rare indie works that instantly comes across as very professionally put together, competent, and well-thought out. In that sense, it reminded me of titles such as Bridgehouse by J. Sebastian King or The Hand of God by Yuval Kordov—though the genre in this case is not sci-fi but dark fantasy, rather.

MAGIC/THE OCCULT:

When we talk about fiction novels, we might find ourselves dealing with 1) ‘pure fantasy’ novels or 2) novels specifically centered around ‘the occult’. It’s important not to confuse the two.

In pure fantasy, the writer can have total creative freedom and can make up any and all fantastic or magic-based concepts they so choose for the sake of producing a good story.

The occult is trickier, though, and in many aspects more challenging, because it is based on facts and historical data: real historical characters and real historical events. Occultism is real and has been practiced for a long time in many civilizations and across many nations all around the world.

A Crack in the World  centers around the occult and I am happy to report that the author has done a stellar job in staying true to the history and the reality of it all. This is crucial in any story claiming to deal with the occult and its practices. There is too much history and too much lore on this subject to deny it or to try to make up something that departs from it, or else we would just fall back into the ‘pure fantasy’ genre.

PLOT:

The story revolves around the adventures of two members of the RPI, the Royal Paranormal Institute of London: Gino and Carter.

Gino is a qualified occultist following in the footsteps of his late father, also a former Italian occultist who had relocated to the UK after WWII. Carter is an agent of the British police force who had taken a job at the RPI a few years back basically to be Gino’s bodyguard, in a nutshell, and has zero experience or knowledge of the occultic practices.

When a few entire towns begin to mysteriously disappear into thin air, Gino and Carter are assigned to the task of solving this big mystery which is obviously stemming from occult activities.

 

SHERLOCK HOLMES AND DR. WATSON?

The synergy between the two main characters, Gino and Carter, can be easily compared to some degree to that of Sherlock and Watson, or also to that of Poirot and Hastings. Here you have two individuals who could not be more opposite in personalities and perspectives, yet must work together to solve a mystery. One is the ‘scalpel’ while the other one is the ‘power drill’ – metaphorically speaking. One is fine-tuned to those supernatural activities which are far removed from the realm of the rational mind, whereas the other is a skeptic through and through, and only believes in what he can see.

Their relationship offers grounds for some comedic relief of course, but also for a real friendship and brotherly love to develop. There is never a dull moment with these two. What a stellar job by the author in fine-tuning the back-and-forths these two main characters engage in throughout the story, with just enough humor.

 

HISTORICAL ACCOUNTS:

Going back to the historical accuracy presented in the book: particularly when it comes to the history of the occult during the period of the events of WWII in Europe, the author is able to insert his narrative flawlessly, and that takes some skills. We learn how the Axis wanted to tap into the power of the occult to win the war. Gino’s father, Amilcare Marcotti, was then recruited by the Brits at the end of the war:

“Amilcare Marcotti was supposed to bring Great Britain back to the glories of the lost Empire. He had promised Churchill he would take Great Britain to a future of unending energy independence, the biggest navy fleet in the world and the return of the Commonwealth colonies back to the Motherland.”

UNEXPECTED TWISTS:

Yes, yes, yes, we do have some nicely planted unexpected twist towards the end of the story and I myself must admit I didn’t see it coming. This refers to a particular secondary character of great importance in the plot. But you will have to pick up the book to find out more!

NEGATIVES:

The only real issue I had, overall, was the insertion of Amilcare Marcotti’s personal journal from 1941 during his expedition in Africa. This is found around the end of Act 2 (?) and to me all it does is disrupt the nice pace of the story thus far, by taking a time out from our main characters and info-dumping about things we pretty much already learned from Giino himself. I know the author has disagreed on this:

“I disagree. The two stories intertwined until the very end. Without it you would miss a lot of context. It’s a story that revolves around the relationship between father and son across space and time. You will see when you read the end.”

Well, I’ve read the end and I still feel those entries from babbo’s journal (babbo = dad) were unnecessary and everything that was achieved could have been achieved just fine without disrupting the overall pace. Maybe it could have been included as a prologue and perhaps it wouldn’t have felt so out of place – for me personally, at least.

 

CONCLUSIONS:

If you enjoy occult-based stories that truly respect the history and lore rather than merely offer a pure fantasy trope, this book is for you. In addition, the level of professionalism, editing, and proofreading is outstanding; way above the current indie standards. The synergy between the two main characters is engaging, entertaining, filled with humor but with good balance too, never going into those MCU-level jokes we’ve all come to roll our eyes to. There are some good twists and turns to satisfy even the most demanding of readers. My only complaint is the addition of Gino’s father’s journal ¾ of the way in, which really doesn’t add much to what we already learn from Gino in relation to his father’s role in all this. But again, that is MY take on it. You should grab a copy, read it, and get back to me with your personal opinion.

All in all, job well done. This is how you put indies on the map.

🦀

 

The Lost Company By Michael Maguire

The Forgotten Saga of the Lost Company

By Michael Maguire

A review by INFAMOUS🦀

 

If we take a look at the current fantasy/sword and sorcery genre, there are mainly two trends that dominate the marketplace: romantasy and epic/high fantasy.

Romantasy really just uses the elements of the fantasy genre to present an inherently romantic story or simply put—a love story.

Epic/high fantasy instead focuses more on ‘scope’: epic battles, large groups of characters, vast lands populated by a plethora of fantastic races.

Whether you enjoy either trend of fantasy, too much of anything after some time can get boring and exhausting, even. Sometimes it is more beneficial to turn down the heat some, dim the lights, and instead of throwing a huge party have a small get-together with only a few yet good friends, if you know where I’m going with my metaphor.

THE COVER:

When Maguire first invited me to review his book, The Forgotten Saga of the Lost Company, what first got my attention was its cover. In a AI-art age where most covers are filled with unrealistically beautiful women, with all the right curves and all the right ‘assets’, this  cover presented a subject that to me came across as unique, intriguing, and mysterious. Not your stereotypical book cover pin up girl but rather a female warrior that instantly makes you want to open the book and find out her story.

SELF-CONTAINED NARRATIVE:

Going back to my initial thoughts, as soon as we start reading the prologue and then dive into chapter 1, we quickly find out that this is not going to be a colossal epic story with scope, multiple settings, and multiple casts of characters. The story is very self-contained, beginning to end. We start our journey with the Company and we end our journey with the Company. 

This was a breath of fresh air because let’s face it, we can easily get burned out on reading epic fantasy books, all trying to be massive in scope. By focusing just on this group of men and women who form the Lost Company, everything feels more personal and more intimate, even. We get to know these characters in ways that otherwise we could never know and understand, and this creates a stronger emotional engagement on behalf of me and you—the readers. 

PLOT:

When a company of the army of Ethylund goes into battle to defend their country against the invaders known as the Aeneans (inspired certainly by the Romans), things don’t go as planned and they find themselves lost behind enemy lines. Captain Roma (the woman on the cover) is now tasked with bringing her men back home, but the problem is, the way back is now patrolled by enemy garrisons, so they must find another way to get back home, which entails marching straight into enemy territory.

MAGES AND THE MAGIC FACTOR:

It is interesting to notice how in this world, both armies make use of mages for military purposes. So while the Aeneans use mages to invade Ethylund and other countries, the defenders also use mages of their own to counter the magic of their invaders.

When our company gets lost within enemy territory, it is thanks to mage Mane and his incantations that they are able to avoid being spotted by the enemy for so long. A cat and mouse game will begin within the realm of magic between Mane and the mages who work for the enemy, while Captain Roma and her men try to figure out a way not to starve while finding a way home.

CAPTAIN ROMA/STRONG FEMALE CHARACTER:

Roma, to me, IS the story, period. My first sense of intrigue with the cover artwork was soon replaced with absolute love and admiration for this character once I read more about her. Do you want to know how to write a strong female character that works? Then read The Forgotten Saga

Roma is strong, but not in the sense that she could match a man twice her size in strength. Though a skilled fighter with the sword, her true strength is being a leader at heart, and knowing when to push her men at times and when to sacrifice herself for them, at other times. What makes her also so compelling is the fact that until the end, there is an aura of mystery around her past, about her background. Who was Roma before the war? Before becoming captain? With other characters such as Tuggs or Tris, we get to know who they were before joining the ranks. But with Roma, we never find out, which in this case works in a fantastic way because as a reader, I couldn’t stop thinking about her even after I closed the book.

PROSE:

I thought the prose overall was ‘just okay’ and felt like the writer could have chosen a more evocative style to match the setting. This is not to say that we encounter too much modern vernacular in the book, but lines like:

“But I won’t be able to relax until I see everyone is okay. So, just help me up, okay?”

To me, lines like the above full of ‘okays’ just don’t bode well, given the nature of the characters, the period, and the place.

INFO-DUMP:

As I said already, what I enjoyed about this story is how it is focused only on this company of soldiers and their efforts to get back home. We don’t need to know why there’s a war; knowing there’s one is good enough. We don’t need to know why the Aeneans want to invade Ethylund so bad; knowing that they want to invade is enough. However at some point Maguire decided that some of this stuff was important to know:

“Of course, Ethylund had once been part of the Empire only two hundred years ago. The many, leaderless tribes had been easily conquered by the Empire of the Fist and over time had been taught civility.”

And it goes on and on with more exposition dump that we really don’t care about, nor do we need. We want to know about this company and how the hell will they be able to make it home alive, that’s it!

CONCLUSIONS:

The Forgotten Saga of the Lost Company is exactly what I wanted to read right now in an oversaturated marketplace of epic fantasy stories. It achieved its goal in creating a smaller-scale, yet more intimate narrative, in which we establish a strong emotional attachment to several of the characters. I mentioned Captain Roma but honestly there are more than a handful of other characters who grabbed my attention: Sharp, the soldier who can never stop sharpening his knives; Danza, the giant woman with a heart of gold; Lash, who, though seriously wounded to the leg, kept on going without wavering… the list of memorable characters goes on and on. 

Oh, and folks die here too! All jokes aside, Maguire is not afraid of killing off characters when the story rightfully calls for it. Even main characters at times will be sacrificed for the greater good of the company, which might make some of us (myself included) even temporarily hate the author for doing so (thanks for making me shed a few tears, Michael!)

The prose is decent but I feel like with some more awareness Maguire could write in a style that feels more evocative. The use of ‘okay’ was a little too distracting for me at times. 

The unnecessary info-dump, albeit not too extensive, could have also been eliminated altogether. We don’t care why they are at war. Usually the motives of war never change anyway. If we are going to keep things self-contained let’s keep them self-contained all the way, shall we?

If you love fantasy but feel burned out on all the mega epic tales and long for a story that is more personable, more intimate, and with characters you will end up laughing with, crying with, even suffering with at some level, pick up a copy of The Forgotten Saga today!

And a note to Maguire: how about a novel focused exclusively on Roma? I think she deserves it and yours truly would certainly appreciate it!

🦀

 

Superhero Origins–Are They Necessary?

Between comics and movies, I’ve probably seen over a dozen versions of the Batman’s origin story. There were retellings of “who he is and how he came to be” prior to The Dark Knight Returns in the mid-’80s, but since then it seems like that’s the only story the writers know how to tell.

Every couple years, somebody’s gotta put a new spin on Superman’s origin, too. And Spiderman. And the Avengers. And the Justice League. And the Hulk, etc., etc., etc. All Hollywood and the Big Two wanna do is constantly reboot their I.P.s. Probably because it’s so easy for a lazy, talentless woketard to “put their stamp” on a popular character by simply tweaking an old story so familiar that fans could recite the plot points in their sleep.

Wait…I’m not being fair. It’s doubtful that the lazy, talentless woketards edit the old threadbare origin stories. They probably have A.I. do it.

Anyway, all the Reboot Mania has caused me to ponder the utility of origin stories.

I became a fan of Batman, Spiderman, the Flash, Iron Man, Hawkman and Captain America long before I read any of the origin stories. Eventually, I would have become curious about how they got started, but not knowing wouldn’t have  diminished my enjoyment.

Why, as writers, are we compelled to provide detailed backgrounds of characters that our readers don’t need and never asked for?

All that to say: Threat Quotient is an ensemble superhero epic introducing two squads worth of brand new characters…but there are only two origins depicted. A third origin is revealed in one of the sequels, but beyond that, I plan to resist the urge to write more.

My rule of thumb is: I’ll worry about origin stories about the time I begin considering  T-shirts and action figures.

I understand that a fan base of 200-300 readers is big enough to find success as an independent creator. However, I don’t consider it big enough to make selling merchandise worth the time and effort.

Whether or not you would like T-shirts and action figures, go read Threat Quotient for free, and subscribe to Tales of the Earthbound. But don’t stop there–like, share, and tell folks about it. I just published Episode 3, and post episodes weekly.

You get more of whatever you support. What are you supporting?

Thanks for reading!

Legacy of Blood by Jessica Barberi

Legacy of Blood

By Jessica Barberi

A Review by INFAMOUS🦀

Legacy of Blood is the first book of a fantasy series called Son of the Flames written by Jessica Barberi which follows in the footsteps of her previous series called Fires of an Empire Saga. I never read any of the previous books but the pleasant surprise was that I was able to quickly find my footing into this world of dragons.

The main character is the oldest son of King Ciran, 17-year-old Ronan, whom this entire book was written around. His father was the main character of the previous book series – if I’m not mistaken – and now as a king, he finds himself in a difficult situation with a son who acts impulsively and does not listen to good advice when given to him. Ciran, too, in his own days, had to overcome challenges of his own, but now that he is older and has garnered priceless life experience, he looks out for his son and constantly warns him, as to not wanting him to make mistakes he might regret for the rest of his life. 

That right there really sets up the tone for the rest of the book, which is basically a look at the learning voyage Ronan embarks on, over a series of trials and life/death situations.

DRAGONS:

If it wasn’t obvious yet, this is fantasy big on dragons. The dragons we get to read about are the more animal-like ones, not the talking dragons a-la Tolkien. Ronan, in a foolish attempt to prove ‘something’ to his father Ciran, grabs a dragon egg from the lair of Ciran’s own dragon, Lorcan, and crosses the mountains to get away from his family. But the dragon egg makes him a target for dragon hunters, and once the egg hatches, it just doesn’t make for a smooth travel companion, let’s just say. 

FINN:

The character of Finn, a boy/fisherman Ronan meets in his adventure across the mountains, quickly becomes a force to be reckoned with in the narrative, and will certainly become a fan favorite. Initially, he is everything Ronan is not, due to his upbringing. He was not born with a silver spoon in his hand, and unlike Ronan, who at this stage is simply driven by impulses and by his baser instincts, is able to judge situations and people more wisely. The friendship that develops between the two boys is not exactly the smoothest due to their intrinsic differences, but what is compelling is that in the long run, Finn becomes the one single factor that will make Ronan face and admit to his faults and wrongdoings. This was really the highlight of this whole thing. The one remarkable factor, embodied by Finn and his relationship/partnership with Ronan. That alone was worth reading the book. Stellar job in capturing not just the humanity of Finn, but also the synergy between him and Ronan, as their personalities clash one against the other. That tension, that pulling back and forth, is where the author nails it.

PLOT/PACE:

Where I think the book struggles a bit is with the overall plot and pace. There is a lot of walking and a lot of talking, but much of it feels “uneventful” for lack of better terms. Yes, Ronan develops some sort of bond with the newborn dragon eventually, but there is really not much more to it. Everything feels transitional as the main character runs away from home with the dragon egg, makes friends with fisherboy Finn, and chases after pretty girls before being scared straight. 

Overall, it all just felt very slow. A whole lot of nothing happening with just a few exciting highlights here and there. Don’t get me wrong, I am not inferring that the plot should be action on top of action, but the way it’s written, though grammatically correct and well edited, feels very passive. For example, expressions like “he began to swim” instead of “he swum” or “he started to run” instead of “he ran”—though not directly quoted from the book, might help you better understand the type of not-so-engaging approach the author is using here.

In itself, it is not a bad thing, but I personally prefer a more active and engaging style that grabs me from beginning to end.

THE NON-EXISTENT ENDING:

I said this before and I say it again: it doesn’t matter whether your book series consists of 3, 10, or 20 books, you gotta offer your readers some sort of satisfying ending to each and every one of them. Your readers should walk away feeling like something got accomplished within the narrative, and that things moved forward in a meaningful and memorable way.

In LoB, there is no satisfying ending, in fact, it feels like we’re getting half of an entire book. It’s okay to leave doors open for a sequel, but also, we have to make sure to offer readers a complete story to some degree. When I reached the last page, I almost had to second guess that my digital copy wasn’t missing chapters. Our books shouldn’t feel like a long prologue to introduce us to the next book.

CONCLUSIONS:

If you enjoy dragon-based fantasy this book is for you. I tend to prefer THIS imagining of dragons that feel like actual beasts rather than the intellectually sophisticated, talking creatures other authors have written. 

The book is well-written and the editing is solid. The character of Finn and his exchanges with Ronan were ‘fire’. 

I had some issues with the not-so very active style and uneventful plot (interestingly, I read some other reviews on the previous series which also point this out). There was no ending to the story, as the last chapter only hints that basically we will have to read the next book to get something that resembles an ending. I think this approach can work when we put our stories up on Substack and RoyalRoad, but when we publish a finished book customers PAY to read, we must go above and beyond expectations, let alone provide a somewhat fulfilling ending.

Hope you will grab a copy when this comes out on June 1st, 2025, and let us know how your personal experience will be in this exciting world of dragons and dragon riders!

🦀

This is not Your Father’s Cape Comic!

I’m pleased to inform you that the first episode of my graphic novel, Threat Quotient, is  now available for you to read online!

 

These are busy but exciting times for me. This coming autumn is when I’m planning to crowdfund. Head over to the shiny new Substack where I’ve already got Episode One live, so you can start reading for free. Make sure to subscribe so you never miss an episode.

It’s been a long, arduous path to get here and I’ve documented parts of the journey.  But you can catch up later. Right now you should head over to the Tales of the Earthbound site and start reading the actual comic.

Support what you like, if you want more of it.

 

Caladbohlg By Joseph Chaput

Caladbohlg

By Joseph Chaput

A review by INFAMOUS🦀

 

Caladbohlg was inspired by the legend of King Arthur and the sword Excalibur. The author is one of the most prolific authors on Substack under the account known as The Brothers Krynn, and if you do not know their body of work I suggest you go check it out. Really good stuff. Bros Krynn are truly dedicated to bringing back the essence of history and myth into literature without all the modernistic nonsensical approach we see today in storytelling. Since I had already reviewed their latest book, Crown of Blood, I was really excited when Chaput asked me to review this older work of his which he first published back in 2018. This book is a beast, at nearly 700 pages, but surprisingly enough, it feels like a quick read because of how it is written—no wasted words; no unnecessary chapters.

PLOT:

The story centers around Bradán, A 14-year-old orphan boy who has been raised by monks in an old monastery devoted to the fair-haired song-goddess Brigantia. When Bradán’s life and that of young widow Ríonal and her mother-in-law – Eibhlin – connect, they are plunged into an adventure like no other, at the end of which, ultimately, they all must fulfill each their own destiny. For Bradán, that destiny will be to become the next High King of Eriu, and defeat the evil Warlock-King who keeps oppressing the land. Only he who can extract sword Caladbohlg from the ancient throne can be crowned new king.

But the path to kingship is long and tumultuous, filled with losses and pain, but also with new unexpected friendships and learning curves.

PROSE:

Just like in Crown of Blood (paid link), the prose here is skillfully handled and it fits the overall atmosphere. Modern euphemisms utilized throughout the book are little to none, and characters feel authentic to the world they live in. That really shouldn’t surprise us since the author is an avid student of English/French history and mythology. It was refreshing to read dialogue that didn’t make characters sound like they belong to 21st century’s Orange County, CA.

BRADÁN, THE PROTAGONIST:

Young Bradán is truly the heartbeat of this book. He is likable because he feels like a young boy thrown into the hardship of life, and ultimately prevails through sheer grit and determination, and despite his flaws and limitations. Even after he wields the legendary sword, thus becoming High King, he doesn’t suddenly become an invincible warrior, but rather, he does what he can and surrounds himself with seasoned warriors who help him get things done. He never loses his boyish qualities and that was something of a pleasant surprise. It goes to show that writers CAN portray boys (or even women) in honorable and inspiring ways, without making them unrealistically skilled or strong for their age and/or size. They just have to be well-written.

RÍONAL: WHEN THINGS GO SIDEWAYS:

And here is where INFAMOUS REVIEWER raises his eyebrow and says: WHY?

The character of young widow Ríonal, when  first introduced into the story, had all the potential to become a reader’s favorite. All the elements were there: she is young (20-ish?), she is beautiful, but she is also virtuous and loyal. She is a devoted wife to her lifetime childhood sweetheart, Feannan, when tragedy strikes. She loses their first daughter, then Feannan himself goes MIA and is presumed dead after a year, while she also goes through a miscarriage of their second child. Beyond disruption, Ríonal has lost her will to live and she would have committed suicide if it was not for Bradán, who stops her from drowning herself at sea.

When everything fell apart for me was the moment the writer moved the narrative in a way wherein she ultimately ended up remarrying to this insufferable dude by the name of Fearghal. And when I call this character ‘insufferable’ I am referring to the fact that he comes off as shallow and not even a good match for Ríonal, who is a beautiful, strong, and virtuous girl who refused the advances of other men after her husband was presumed dead. There is NO chemistry whatsoever between her and Fearghal, NONE, but the author tries so hard to shove him down our throats as a good candidate for Ríonal by moving things around these two characters to create the perfect scenario for them to hook up. If this was a real thing, I guarantee you these two would be divorced within a year! No chemistry whatsoever!

Just think about this: Ríonal is loyal to her husband even after he is presumed dead, as we said. Her devotion and loyalty is what mainly defines her. Yet in the end, Fearghal tells his father (another king) that his kingdom will create an alliance with Bradán’s kingdom by marrying Ríonal. And Ríonal basically says “Sure, what he said.” It just felt so cringe, so unnatural, so out of character, that I thought maybe Ríonal was being possessed by evil spirits at the time. 

But It is what it is.

CONCLUSIONS:

Caladbohlg (paid link) is a well written legend with great scope. The author has laid a good foundation here for world-building that is very promising for fans of ‘Arthuriana’. I appreciate how the lineage of kings is so well mapped out as well as the history of this line of kings. In some of the  tales of the past recounted here and there throughout the book, there was one character that particularly caught my attention, a woman by the name of Feanna (?) who was presented in a story of courage and martyrdom. Personally, I want to see THAT story being turned into a book. In some ways, and from what little I read of her, she was kind of a Joan of Arc character of sorts. In my opinion, she deserves her own novel (or series of novels, even!)

I also want to point out that all characters could have used more physical descriptions, but that is more of a personal footnote than a criticism. The whole time, for example, I thought Ríonal was a brunette with curly hair but then the author told me she was blonde. If more physical traits were introduced and also brought up more often all throughout the book, these types of misconceptions wouldn’t happen.

And speaking of Ríonal, again great concept but poor execution when it came to uniting her and Fearghal in a way that felt forced and out of character (hope they divorced; she deserved better!)

Overall, this was a good read and being a book from 2018 it obviously doesn’t reflect accurately on the author’s current writing skills. But it sets the foundation of what can be a fantastic legendarium from which many amazing stories and heroes can spring out from, in the future.

 

Reflections of Lilje Damselfly by Natalie Kelda

Reflections of Lilje Damselfly by Natalie Kelda

A review by INFAMOUS🦀

 

What first earned my interest for this novel was the cover. This is perhaps one of the most gorgeous book covers I’ve seen in quite some time and it was drawn by hand – not AI – by the author herself, who told me she practiced for three years to draw like this. Absolutely beautiful cover, in my humble opinion. It immediately sets the mood for something with an ancient background, something legendary we are about to dive into.

Is the story just as mesmerizing as the cover is? Good question, and the answer is ‘Yes… for the most part’.

PLOT:

The story is set in (early?) 20th century England and centers around a real-life water nymph, Lilje, who has lived for many centuries in a forest pond, in perfect harmony with her surroundings, along with her father, also a nymph. Things escalate when she is taken against her will by a team of humans led by a woman named Victoria. Trapped like a fish and transported into a cistern on wheels carried by horses, Lilje is frightened at first, later confused about this whole affair until she finds out that her father is collaborating with Victoria. You see, Lilje – though immortal – has been feeling increasingly ill with unexplainable aches and pains. This woman, Victoria, thinks she knows a cure, but it involves treatment at her own spa miles away from Lilje’s forest pond. Lilje quickly finds out that her father and Victoria have been acquainted for quite some time, in fact they’ve had a relationship beyond the platonic.

Lilje’s time at the spa turns out to be not what readers may expect. Will the treatment offered by Victoria heal the nymph of her ailments? You will have to read the book to find out!

WHERE THE STORY SHINES:

I can tell you with confidence that the strongest element of this story, what makes this book so compelling, is the way the author conceptualized and put together the essence of ‘what it is to be a water nymph’. Lilje is not just some pretty girl swimming in water. The attention to details regarding what a nymph would be like, look like, act like, what she would think and feel, is where RoLD truly shines. The nymph doesn’t just live in water, rather, she has a symbiotic relationship with water itself and with all life that spurts out and around the pond. It is a thing of beauty reading how her life in the pond is a true perfect ecosystem, in a sense; a harmonious environment where Lilje is linked to water at a molecular level, even. Water is life to Lilje. Water nurtures her, keeps her radiant and immortal; but water is also her best friend. She can communicate with all flora and fauna in and around the pond: fish, insects, plants, flowers. Lilje is described as something that is more than human, one with her elements, and these descriptions are so vivid, readers won’t be able to stop flipping pages.

NEGATIVES:

I know this might divide some people but I don’t care (there’s a reason why I’m called INFAMOUS!). There were elements in the story that I felt were out of place and even annoying, most of the time. Specifically, Lilje’s sapphic relationship with one of the inn maids, Mel. I find the whole LGBTQ-whatever thing very tiring at this point in time. The story could avail of true friendship development without having to get ‘sensual’, necessarily. This reminds me of the overall trend we’re seeing in modern fantasy, whereas two characters of the same sex are seldom portrayed as just very good friends – like Frodo and Sam in Lord of Rings, for example. In a lot of modern fiction, it seems as though if two same-sex characters think of one another, care for one another, would give their lives for one another, then the relationship inevitably MUST be sexualized at some point and to some degree.

The truth is that Lilje and Mel could have become very good friends without the unnecessary sexual tension and the story would have gained an additional layer of depth, in actuality. This is just my opinion – love it or hate it.

CONCLUSIONS:

RoLD is a well written novel with elements that go from outstanding and exciting (the nymph’s life at the pond) to tiring and cringe (lesbian relationship). The description of the forest pond and the life it cradles is the peak of the book. The concept of what a water nymph would look like, how she would operate, think, and feel, was so well crafted I had to stop reading a couple of times to say to myself: “Wow, this is how you portray a nymph! Good job!”.

The relationship between Lilje and the pure element of water is what makes this book relevant. If anything, I wished the story had been more about exploring that side of it than Lilje’s infatuation with Mel.

If you want to read one of the best portrayals of a water nymph, this book might be for you. The struggles she goes through, as she finds out the reason why she keeps getting increasingly ill, will touch a lot of hearts, as it did mine. In the end, this story deals with the human struggle against mortality, and how different people will deal with it, truly.

(Reflections of Lilje Damselfly will release on June 23, 2025)

🦀

SAFREN (Alpha Agogex) Episode 2

Editor’s Note:  The Infamous Gio is sharing Part 2 of his companion story to the fiction in the developing Agogex canon.

Even though SAFREN: Alpha Agogex belongs to the same fantasy universe written under the pseudonym of Abigail Lakewood, the direction Gio decided to take this concept was quite different from the other stories.

Author’s Note: Welcome to Episode 2 of Safren: Alpha Agogex. If you made it even this far, a big ‘Thank You’ goes without saying.

By now some of you might have caught up with the whole creative drive behind this story. Even though this belongs to the same universe as the rest of the INFAMOUS stories I am writing, respecting both lore and continuity, it takes up a personality of its own, mixing fantasy with adult sense of humor—plus plenty of action.

In my opinion there is no other MC quite like Safren out there, not just because she is essentially a villain but because of all the big and small peculiarities that make her who she is. If you think you’ll be reading about the next ‘strong independent woman’ you might be somewhat disappointed!

In episode 2, I wanted to push the envelope—and please be advised this content is NOT suited for children. We deal with a good deal of nakedness, primarily because our MC and her team members must use an ‘invisible cream’ that only works on their naked bodies; violence; blood-lust. However you will never see any F bombs or S  bombs being dropped, oddly enough.

There will be action, romance, betrayal, impalings, eye gouging, and the body count will rise exponentially as we keep flipping pages.

This new adventure was so BIG that I had to split it into two parts. Here, you will read part 1 of Stealth Mode in its entirety.

Hope you enjoy and will stick around,

INFAMOUS🦀

SAFREN

Alpha Agogex

Stealth Mode

(Part 1)

 

Introduction

Each young Agogex picks up a practice wooden weapon from the long table set up on the training field. Excitement can be felt in the air as they get to learn Flying Dragon with actual weapons-though only wooden practice ones. Two full hours are spent by Agogex trainers on teaching the young Agogex how to handle their weapons, how to stand, and how to parry. Moves and countermoves are demonstrated. The young students are like sponges sucking in every bit of information and putting it into practice. 

Safren immediately stands out for her dexterity and ability, mastering her weapon and the art of the Flying Dragon so fast she needs to spar with older and more experienced Agogex and sometimes even with some of the Agogex trainers.

We were 10 years old at the time we started training with weapons, but what the others didn’t know, and what gave me such a net advantage during practice and sparring sessions, was the fact that I had already mastered solid combat skills by training with Father at home, before I was even transferred to Holy Camps permanently.

Did I ever tell the others about it? Oh no. It was none of their business anyway. All they needed to know was that I was better than all of them!

My name is Agogex Safren, daughter of the legendary Carrialan warrior Mouslenix Dottir. I come from a family of military leaders going back generations—to the times before the last Holy War, when giants still roamed among us. I was born to lead and bred to conquer… and to kill.

I am the ALPHA AGOGEX

Stealth Mode

(Part 1)

1

It’s freakin’ cold in Carriala City at five o’clock in the morning, in the winter. Or so it seems. I’m not cold. Never am. I carry enough lean muscle mass on my frame, and my resting metabolic rate is so high, I would have to soak in ice water to start getting any real sense of cold. But looking around me in the Holy Camp, I can see that all the Carrialan soldiers are freezing; and even some of the smaller Agogex, to be honest.

I see some of the usual suspects, some of whom were in my class when I first got transferred to camp at the age of 7.

Having my parents reside not even three miles away from camp, and having a legendary Carrialan warrior and general as father, didn’t hurt either. When most ‘divinely chosen ones’ had to spend long weekends within the depressing walls of the camp’s facilities, I was hanging out with my parents at home, eating more food than 6 adult humans combined, and learning advanced fighting techniques from Dad.

Mother always loved to read to me, so I have deep knowledge of our history and heritage. Mom is particularly proud of her giant lineage and I slowly learned what traits I might have inherited from my ancestor, the legendary she-giant Safren. Why is Mom so proud of her giant heritage? To be honest, all giants did was destroy and pillage everything in sight and, oh yea, eat humans.

At first I thought there was really nothing within me of my giant descendance. Or in Mom. Sure, we are naturally big and strong women both, but far from being giants; and sure as hell we don’t eat people! But my mom swears, based on paintings and drawings of Safren, that both of us look a lot like her. Particularly when it comes to our strong square jaws. Over time, I found out that my bone density is like that of giant’s too, as my bones are as hard as steel.

“AGOGÉ! COME—FORWARD!”

That would be Agogex Captain Sorraya. She is considered hot stuff because she’s been in several victorious tours, including some with Master General Megax herself at the lead. Please, don’t get me started on Meg. One day I will have to smash her face and steal that purple streak from her.

“We have 4 Agogé and 500 Carrialan soldiers who will join this campaign. This, very important campaign. Our troops being killed in the East and too weak to keep defending borders alone. We go help!

I need Agogé Safren, Turma, and Karlin, right here! Now!” Sorraya orders.

The three of us come forward. I remember Turma. She is good. Big. Strong. She likes to see her enemies squirm, has field experience, and you can count on her to watch your back, to a point. I’m not too familiar with Karlin. I’ve seen her in camp before, but I’ve never actually spoken to her. Karlin has this pretty face like a natural woman (is that light makeup she’s wearing?) and she seems to even act kinda feminine for an Agogex, swaying her hips when she walks like natural women do.

“You three have been selected for secret mission! Mission will be explained once we reach trenches! It is most secretive, and only I and Patrarchons know about it! Safren will be second in command. If mission fails and we enter open battle with barbarians, you take orders from Safren,  if I get killed or captured!”

Of course I am second in command. I am ALWAYS second in command! And you tell me I shouldn’t be pissed? Puh-lease.

“I, Agogé Safren, divinely selected at birth by the gods. Forged in body and spirit by the Patrarchons.” As I speak the words, I thump my chest with my fist while nodding my head in agreement.

“Remember, this mission is good opportunity to prove yourself and get promotion. You want to be Agogé captain? Accomplish mission and you be captain!” Captain Sorraya concludes.

After exchanging a few words with the other Agogex, we mobilize our troops and head off. The East awaits.

2

The march to the Eastern front is always long and tedious. Carrialan armies don’t make use of horses, so we’re always on foot. We have with us a few wheeled carts pulled by donkeys, loaded with weapons, foods and supplies not only for us but to refuel the depleted troops fighting at the borders. Our Carrialan soldiers are in charge of the carts.

We can only push the pace so much, since the limited endurance of the men is to be accounted for, but I can see how Captain Sorraya is really pushing us to make time.

Myself and Turma coordinate our moving troops and schedule some breaks so that the men can rest. We understand that, though Agogex may have nearly infinite endurance, these men can’t just walk all day, particularly when wearing battle gear and weapons.

Carrialan soldiers. If you think marching with 500 men could be problematic, you are obviously forgetting that at the head of this army we don’t have four women, but four Agogex. Our men fear us and respect us, so they follow orders. Do we catch some of them gazing once in a while, particularly with some Agogex like Karlin, who wear light makeup and shake their butts when walking? Sure. But no-one cares, really, as long as it doesn’t get in the way of their duties as soldiers of the Carrialan army.

If anything, most of them won’t even look us in the eyes when we address them or order them around. And yes, we call them ‘goats’, but only among us Agogex. Not to their faces, unless they piss us off, that is.

“Hand me some,” I say to Turma, pointing at the satchel of dry meat she is carrying. I gotta eat and can’t wait for our next stop to grab some food. Turma was smart to carry dry meat on her so she could constantly snack on our trip. Turma is the second biggest Agogex in our group after yours truly, so it’s no surprise that her appetite may rival even mine. She is the younger sister of Captain Oxilia, one of the highest ranked captains and a decorated war hero who has fought side by side with Master General Megax on numerous tours. Imagine two parents finding out their first daughter is among the ‘divinely selected’ baby girls, and then later on being told that their second daughter too was ‘divinely selected’ as well! They’re probably the happiest and proudest parents in Carriala.

“Here!” Turma hands me a handful of dry meat. “But no more, Safren. Go to carts back over there if you want more food.”

I should punch her for talking to me that way, but she is strong, and we need her.

“How Oxilia?” I ask, just to make conversation.

“Sista good. She leads own army now. She inspire me.”

Turma and Oxilia are almost identical, other than perhaps Turma being younger and smaller in size. Both sisters are characterized by very shiny black skin, their curly hair always shaved in a crew-cut style.

They both wear the same leather collar around their massive necks; a family loom of some sort?

I ask. “Leather collar you and sister wear, family thing?”

Turma touches her leather collar with her hand. “This, symbol of Tikuren warriors. My family comes from Tikuren line. Many generations of shiny black-skinned warriors from southwestern region.”

That would explain the remarkable military career of sister Oxilia and now of sister Turma. These two had warrior blood flowing in them before they even became Agogex. I’m glad to have Turma as an ally today. But tomorrow? Well, tomorrow is another day.

The following day, we make another pit stop and I realize I really have to relieve myself. I need to find a bush to do my business behind, and quick! Hey, do not laugh! I need to squat down like a natural girl due to my female anatomy, can’t help that. And I hide behind a bush because of the men. We learned that in training. You don’t want to ‘distract’ the soldiers. The other factor is the Agogex mystical scent, particularly mine which is stronger than the average Agogex. I pick a bush that is a good distance away from camp. As I’m relieving myself, not too far off from my location, I see Turma and Karlin walking behind a bush of their own to do their business.

I hear them chatting and I hear Karlin even laughing while they are soiling the grassy field. Obviously Karlin doesn’t seem too concerned with what awaits us ahead as this is her first tour. The truth is that no Agogex comes  back the same from a tour out East, if they come back at all. As I’m standing here (well, not exactly standing, since I’m squatting down to pee), I think of my first tour, and how, to an extent, I too was not quite prepared for any of that. I was kind of naive to the hell we had to plunge ourselves into, for the good of Carriala.

When I’m finally finished, I wait another few seconds before standing up and pulling up my trousers. Tailor-made trousers, I might add, specifically made to accommodate my ‘tree trunk’ legs, since standard-cut trousers never fit, or end up ripping, unequivocally, every time. When I’m off duty at my parents’ I can just wear what I call my ‘cozy shorts’. These are very short shorts that are very light and soft and let my legs ‘breathe’. I could never ever wear my cozy shorts anywhere but at home since they would call too much attention out in public. I wonder what type of trousers my giant ancestors used to wear. They must have had even bigger wardrobe issues than I.

When I return to my post I see Captain Sorraya already signaling everybody to pack up and move out. They really need us at the front ASAP, it seems. I instruct the men to the rear to get the wheeled carts ready to go. Only 6 hours away from our destination and from smashing some barbarian skulls.

3

Hours later. We’re at the end of another rest stop during which we are able to eat and even sleep. As we’re getting ready to move out, I approach the rear and I notice the soldiers have attempted to kindle a small fire to stay warm. When I see it, I kick the fire to put it out and shout: “You goats forbidden to make fire without asking!”

One of the soldiers approaches me. Gotta give him credit for his display of bravery.

“Permission to speak, Master Agogex Safren,” he says humbly, his eyes pointing down.

“Speak, goat!”

I know, I know. We’re not supposed to call our soldiers goats, but they piss me off when they do stuff without asking for permission.

“My name is Private Carpiax, Master Agogex Safren. My deep apologies for starting that fire, for it was I who did. But we asked Master Agogex Turma if we could light a fire to keep warm on two previous rest stops, and both times she declined for no specific reason. I respectfully remind you, it is in the ‘manual of war and conduct’ that all Carrialan soldiers must be granted certain basic necessities due to our human frailty. We tire, we get hungry, and in the winter months, we get cold.”

I ponder the words I hear from Private Carpiax. Not sure whether his initiative to start a fire was very brave or very stupid now. Then, after some consideration, I proceed to say to him: “Wait here, Private Carpiax,” and I stroll straight to where Turma is at to get this thing resolved. I walk up to Turma and grab her by the collar forcefully, while I ask her: “You decline request for making fire to men, Turma?”

Turma grabs my wrists and yanks herself free from my grasp. She’s strong!

“I did! What is to you, Safren? Now you care about goats?” She answers in a loud voice.

The other Agogex, including Captain Sorraya, gather around upon hearing yelling. They separate us.

“Explain yourself!” Sorraya asks both of us.

Instead of saying anything, I go get the ‘manual of war and conduct’ booklet from amongst my things and toss it at Turma.

“Turma break rules!” I shout.

In the meantime, I notice that all the loud Agogex verbal exchanges have gotten the attention of the soldiers. They’re probably amused by the whole scene. A nice break from the monotony of long days of marching, I’m sure.

“You told us we need to move fast, Agogé Captain! Fires slow us down! Men complain too much!” Turma defends her case as best as she can.

“Agogé Turma! We not deny food, rest, or fire in winter time to Carrialan g… to Carrialan men! It is in manual, you know it! 20 lashes when we go home! For now, we forget about this and think of mission!”

20 lashes when we go home? Our Captain is being way too gentle on Turma. I guess having a highly decorated captain as one’s sister pays off. My father is a legendary warrior but that never spared me at least 50 lashes or a good old beating from my superiors, and for way smaller transgressions.

As we get ready to resume our march, I see Private Carpiax with some of the other men not too far off. I approach him and say to him: “Agogé Turma will receive just punishment. Next time you want fire, Private Carpiax, ask me.”

“We all heard that, Master Agogex Safren, and we thank you,” he says to me in a very cordial tone while smiling, which sends this fuzzy feeling—like warm waves—right through me, for some strange reason.

“Agogé not get tired and cold like men, so Turma forgets, maybe,” I say to him to break this awkwardness or whatever it is I’m feeling.

“Permission to speak, Master Agogex Safren?”

I nod.

“We, men, fight and put our lives on the line just like mighty Agogex, but we are treated like dogs—no, worse than dogs. We are almost invisible to you and your kind. Yet we are the first on the front lines to spill our blood for Carriala. Master Agogex Turma denied us the warmth of fire because she thought us too small and insignificant for others to even notice, or for other Agogex to go out of their ways to abide by the ‘manual of war and conduct’.  These men are too scared to walk up to you with the manual and make a case for themselves. But it gets to the point where some of us… some of us get fed up and just decide to make a fire, hoping Agogex will not notice.”

I wasn’t expecting that from a small Carrialan soldier. They are indeed the first to die on the front lines, that’s a fact, but nobody ever sings any songs about them.

“You, brave and honest soldier, Private Carpiax. I make sure you and other men are fed and stay warm from now on. If we meet on battlefield, I fight by you!” And as I say so I thump my chest with my fist. He bows to me with a smile and again, that same funny feeling—the warm waves—that just came to me a few minutes ago, repeats itself, only even more intense now. I stand there in awkward silence for what feels like a good five minutes to me (but I’m sure it is only for a few seconds) before finally, somehow, I manage to regain my composure and turn around to go rejoin my group.

As I walk (still sort of baffled at what just happened to me back there, while speaking with Private Carpiax), I can see Turma with the other Agogex and she gives me the coldest ‘Agogex’ look. You won’t know that look until you see it. It’s the look that basically says ‘You crossed me and now I’m gonna screw you over when you least expect it’.

I would be concerned if this was the first time I found myself in this type of situation but I have a tendency to ‘make friends’ with other Agogex. When you are the Alpha Agogex, you must have eyes in the back of your head, cause your allies might want you just as dead as your foes do. I could rely more on Private Carpiax than on my Agogex colleagues, at this point.

We march for a few hours. I’m getting hungry, but I won’t ask Turma for some of her dry meat again. I’d rather walk to the back of the line where the wheeled carts are carrying our food. Maybe I’ll see Private Carpiax again and get to talk to him some more.

4

One week later, and we reach our destination, bordering with the vast isolation of the Eastern tundras of Boulukavitz. We are met by Captain Anessa, who has been in charge of the Carrialan lines of defense now for several months. She explains to us how they have suffered major losses and how now they are even running out of food. “Barbaric hordes do surprise attacks, kill some, then retreat. They pick us apart little by little.” Anessa explains.

“We lost many men and some Agogé. Just yesterday we lost Agogé Lysara and Tynne. These savages set traps to isolate troops in small groups and isolate Agogé like a wall surrounding on all sides,” Anessa continues. “No matter how strong, how skilled, when they isolate Agogé, it’s like a wave crashing down from all sides. Agogé cannot defend.”

Captain Sorraya at this point chimes in. “We have plan. If plan not work, we stay here with you and fight to death. But if plan work, we win, and no need to fight to death,” she explains.

At this point all eyes are on Sorraya, including those of the Carrialan men. She pulls out a jar from a satchel she’s been carrying the whole time, now that I notice. The jar has no label but it seems to contain a creamy substance, opaque in color.

“This, how we win!” Sorraya holds the jar up high so that we can all take a good look. “This, magic from Patrarchons. Patrarchons show me how it works and they say: this, how we win!”

“How we use magic cream to kill barbarians?” I ask

“This no cream, Agogé Safren. This, invisible wax,” answers Sorraya.

“It only works on Agogé body. Skin, hair, everything. You rub on 8 points of contact like Patrarchons show me, and Agogé invisible for short time. We need three Agogé to volunteer.”

So this is ‘the great plan’. Relying on some magic goop concocted by the Patrarchons with very limited testing, to make three of us temporarily invisible (and I must stress ‘temporarily’ since not even the Patrarchons were able to give Captain Sorraya an estimated duration time of its effects) to sneak into enemy lines and murder the chief of the barbaric hordes before their next organized attack. Really!

“Chief Luftax leads barbarian troops and he the one who knows how to set up traps to kill Carrialan men and Agogé. If we kill him, barbarians left without leader, and they flee, for sure,” Captain Anessa explains while drawing the enemy camp and our camp in the dirt with her hands, to show us where the tent of Chief Luftax is located from our position.

“I go,” Turma says as she comes forward.

“Good, Agogé Turma. Agogé General Oxilia will be proud of you,” nods Captain Sorraya. “I too go, for I Captain, and Captain always go to special mission,” Sorraya adds.

“I too go,” I say, and come forward.

“You cannot go, Agogé Safren. You, second in command. If I perish, you need to lead army for me,” Sorraya objects.

For those of you who don’t understand how this works, you don’t get promoted to captain by simply responding to the call of duty. You have to prove yourself above and beyond the call of duty. Turma understands that, and that is why she was the first one to volunteer. Her sister has been a great role model and a teacher to her. She understands how the game works. If I want a chance at getting my promotion, I must be included in this mission and have my name praised by the people of Carriala.

“Agogé Captain Sorraya, mission needs big, strong Agogé to keep barbarians off you and Agogé Turma, if magic cream not work very long,” I say, to convince the captain.

“It no magic cream, Agogé Safren, it magic wax,” Sorraya corrects me, “but I understand why you want to go. You ambitious. Yes,  true, you are biggest and strongest Agogé, so you go, I stay. And Agogé Karlin go with you to gain experience.”

Karlin comes forward, she recites her Agogex creed, thumps her chest with her fist, and nods in agreement with Captain Sorraya.

Karlin? What is she going to do? Bend over to keep the barbarians distracted while we assassinate their leader? What a mess!

Having settled on the three volunteers—actually two volunteers since Karlin was handpicked by Captain Sorraya—we are now ready for an actual demonstration of the magic cream—excuse me! Magic WAX!

“Magic wax only works on Agogé body, so you three must take off all clothes,” Sorraya tells us. “That also means you cannot carry weapons with you, either,” she adds.

Wait a minute now, so the secret mission consists in sending three naked Agogex into enemy-infested land, with no weapons, to kill the barbarian leader?

“You rub just a little of magic wax on 8 major points of contact: your forehead, your shoulders, both sides of your thighs, both sides of your calves, and over your lips. You need just very little too work,” Sorraya explains. “Now, take off all your clothes and put away all your weapons,” she orders.

The three of us proceed to undress while Captain Anessa makes sure that the men are at a good distance aways from us, so as not to get them too… distracted. Karlin is the smallest one of us three, her body is very curvy almost like a natural woman, despite the obvious Agogex muscular development and the lack of female breasts. We’ll see what she’s made of once we’re in no man’s land.

Turma is just huge! I know she was big but even since the last time I saw her naked she’s put on a ton of new muscle! I used to say that she looked like a smaller version of her sister Oxilia, but I can’t honestly say that anymore.

Now, before you jump to conclusions and think all this is weird, let me explain something about Agogex and their sense of modesty: there is none. Ever since we are born and given dark potions, and especially once we transfer to Holy Camp, we lose all sense of modesty. Being naked is just as normal to us as for you to wear a bathing suit at the beach. As we grow up, however, we are taught we can’t just walk around naked out in public. But it’s more a learned notion than instinctive. At camp, in the dorms, even at some training sessions, Agogex spend most of their time naked or almost naked. That’s just a fact.

So here we are, three naked Agogex waiting for instructions. I notice some staring. There is always a sense of rivalry among us, so every Agogex always tries to be bigger and stronger than the next Agogex. As we stand there naked, we get scrutinized. I can see the looks on some of the other Agogex faces, and even on our captains. Reality is, I’m still the biggest, strongest, baddest Agogex there’s ever been, and standing there naked—no padded combat suits, no clothes—among these other Agogex, only solidifies that notion in their minds.

I feel Turma’s eyes on me. I know what she’s thinking. I can’t trust her. Ever since the incident with the soldiers she has been plotting against me. You think I’m being paranoid? Oh you don’t know Agogex then. She is just waiting for her opportunity for payback.

We start rubbing the magic wax on the eight points of contact as instructed by Captain Sorraya. We all dip two fingers into the jar and start rubbing the stuff over our forehead, shoulders, thighs, and calves. But when it comes to our lips, Sorraya stops us abruptly and says: “No. Not those lips. Those lips,” and she points down toward our female parts.

“You must rub magic wax over your lower lips so magic wax can hide Agogé smell,” Sorraya explains.

“This, stupid!” Shouts Karlin. “I not rub magic goop on my female thing!”

“No good to be invisible if enemy can still smell you!” Sorraya shouts back at Karlin. “You part of mission now! You rub magic wax everywhere you must!”

I proceed and rub the stuff on my ‘lips’ and it feels cold down there! The things we ought to do for our country!

We wait 10 minutes before the stuff takes effect. Then, judging by the gasps of those around us, I assume we’ve become invisible, even though nothing has changed for me and I can still see Turma and Karlin just fine.

“It worked!” Captain Anessa says in disbelief.

Captain Sorraya did not look as surprised. “Now, go, you three! Go, go! We know not how long magic last!” She yells.

So off we go! Three temporarily invisible naked Agogex, carrying no weapons, step into the foreign land of Boulukavitz, past all enemy surveillance, to kill Chief Luftax.

Dad would be proud of me right now.

5

As we move into enemy territory in ‘stealth mode’, several thoughts occupy my mind.

First of all, we quickly scheme a plan of action on the spot. We decide that once we reach our target, I, being the strongest of the three with my bare hands, will be the one to go in to kill Chief Luftax in his sleep, while Turma and Karlin will stand watch outside the Chief’s tent. I still do not know what Turma has in mind, but this feels all wrong already from the get-go.

Then I think about Private Carpiax. Why in the world do I keep getting this weird, funny feeling that sends warm waves through me every time I’m around Private Carpiax—especially when he says ‘thank you’ with that smile of his? And why does it seem like ever since the ‘fire’ incident all I’ve been doing is looking for reasons (or excuses?) to walk over to the mens’ lines just to see Private Carpiax and talk to him?

“Tents ahead!” Turma’s voice brings me back to reality.

“You trying to get us killed, Turma?” I say in an irate yet low voice. “From this point forward, no loud talking!” I warn my two Agogex partners, as we reach the perimeter of the enemy settlement.

It’s funny how I can still smell both Turma’s and Karlin’s mystical scents and my own, very thick in the air. But if Captain Sorraya swears on the efficacy of this magic goop, I’ll have to take her word for it. The only problem is, if the magical effects can disappear at any moment, how are we supposed to know if and when that might happen?

Karlin seems to be reading my mind. “Are we still invisible? How we know for sure? And what about our mystical scent?” She asks in a low, whispering voice.

“We know not,” I whisper back. “We just hope magic cream last long enough.”

“It no magic cream, Safren. It magic WAX!” Turma quickly corrects me.

Why do I have a feeling that only one of us two will get out of this alive? Turma is really pissing me off!

We spot their watchdogs, they’re chained to trees. Good. The magic wax must work or else those dogs would be barking by now. We take account of their guards on duty. They walk the perimeter and they’re looking too relaxed and wobbly—drunk, most likely, based on their stench. They obviously don’t expect an attack, knowing their makeshift control towers can spot anything coming out of our camps.  This is the moment of truth. Walking right under their noses with the sole protection of Patrarchons’ magic!

Light on your feet.

Small breaths. 

It worked! We’re through and those barbarian guards didn’t even flinch!

But I don’t even have time to turn around when I see Karlin frozen in place. “Karlin,” I whisper, “we must move.” But Karlin is not moving. And neither is Turma, now that I notice. They both seem in a trance. And then I realize the source of their hesitation!

The air hangs heavy with the stench of death as the three of us stand frozen before the ghastly spectacle. Two severed heads, once proud Agogex warriors like ourselves, stare blankly from atop crude wooden stakes driven into the blood-soaked earth.

Just yesterday we lost Agogé Lysara and Tynne.

The words of Captain Anessa reverberate in my head. Agogex Lysara and Tynne: lost in action. Now we know exactly what happened to them. The barbaric handiwork was unmistakable—jagged cuts marr the necks where axes have hacked through sinew and bone, leaving tattered flesh to dangle like grim banners. Their faces, though lifeless, bear the remnants of defiance: eyes wide with final fury, mouths twisted in silent screams. Flies buzz in greedy swarms, feasting on the gore that drips steadily downward, staining the sticks a sickly crimson.

One of the Agogex’s braided hair hangs in matted clumps, tangled with dirt and clotted blood. Her head tilts unnaturally, the stake piercing through her jaw and out the top of her skull, splitting her once-fierce countenance in two. The other Agogex eyes have been gouged out, leaving dark, hollow sockets. Her tongue is lolling grotesquely, severed at the root and dangling by a thread of flesh.

I clench my fists, my nails biting into my palms as I imagine the horrors inflicted on their bodies, a custom practice of these barbaric tribes: defiled first (if captured alive), then desecrated, finally dismembered—for the barbarian hordes believe, in their deranged minds, that eating the entrails of Agogex will give them increased strength.

Turma’s breath hitches, her gaze darting to the shadows beyond, as if expecting the perpetrators to emerge, laughing at their savagery. Karlin, steely-eyed, covers her mouth with the hand, so as to not make any loud sounds or vomit, perhaps. The scene is a brutal testament to the enemy’s cruelty, a warning etched in blood and ruin—and now, fuel for the wrath of one pissed off Alpha Agogex

6

The stench of death mixed with the strong smell of alcohol is a constant reminder that we are alone now in their world. Beasts more than men, both in how they look and in how they behave. Their only strength has been their numbers. What good is it to be the strongest of Agogex, when overwhelmed by a sheer multitude of mindless beast-men? By the time you get to kill two or three of them, 10 more have already grabbed you, disarmed you, and pinned you to the ground, while dozens upon dozens will quickly join in, until you are literally buried under this mass of savage humanity.

Karlin is moving along, trying to control her sobbing. She is such a ‘sensitive girl’. “Remember training, Karlin,” I whisper into her ear. It seems to help, as she wipes her tears and her sobbing becomes more like a strained breathing now. Turma also goes up to Karlin and whispers something to her ear. Perhaps more words of encouragement. Turma seems more calm, watching her steps and looking all around, as we can now see the multitude of the barbarians either sleeping on the ground or by the trees, while others are walking aimlessly with drinks in their hands, or eating, or playing some stupid game with sticks made out of bones. They’re like ants—just about everywhere you look. This place is teeming with the scum of Boulukavitz. These men make our Carrialan soldiers look like the clean and neat High Knights of Greater Valley.

Our Carrialan soldiers… Private Carpiax! How would I much rather be with him right now, and feel those warm waves go through me every time he looks at me with that smile of his—Wait a minute, what am I thinking? The guy is a freakin’ goat! A common soldier. I don’t think he even has any war heroes or legendary warriors in his lineage. He told me that his father is an artisan and his mother is, or was,  a nursemaid, before becoming a full-time housewife. And he himself is what? Five feet and seven inches tall, one hundred and seventy pounds at best? What would a goddess like me, the Alpha Agogex, ever  want, or even have in common, with a puny man like him?

I see Turma signal with her hand that she can see Chief Luftax’s tent ahead. I can see it too. I give the signal to Turma and Karlin to spread out around the tent to keep watch while I go in to put this nasty goat out of his misery. I wish we could have carried at least a small blade to gut him like a pig. The idea is to not only kill the Chief, but to get  back to camp all in one piece, possibly. ‘No weapons’ means I gotta kill this guy without making any noise.

I’m in. The tent is a filthy conglomeration of half empty platters of rotten food, bones, broken jars, and about 1, 2… 5 barbarians lying on floor mats, asleep. The problem is, how do I know which one of the five is Chief Luftax? He wouldn’t exactly carry a sign around his neck or a name tag reading Hello! I’m Chief Luftax! These disgusting goats all look the same to me. They’re hairy, greasy, smelly abominations of nature, and they all look alike. I’ll have to kill all five without any of them waking up to alert the others. I see some weapons lying around, rudimentary knives and a hatchet, but honestly, I think I’m better off getting the job done with my bare hands.

I approach the first barbarian, I slide my arm under his neck while pulling my other arm over as to cover his mouth with my hand to avoid any unwanted grunting. The snapping of his neck is pretty quiet, I’m not to worry about that. He dies instantly. I wonder if THAT was Chief Luftax.

No time to think. On to the second neck to snap.

Lather. Rinse. Repeat.

I work my way around the tent until there are only two necks left to snap. I bend over to grab the second-to-last neck when I notice the eyes of the other barbarian still alive staring at me with eyes wide open. But I’m invisible, right? I’m sure that, though he is looking this way, he can’t see me, right?

As I’m thinking these thoughts, I feel the head of the barbarian in my death hold move, and his mouth utter some words that sound like What’z that smell?

SNAP!

As soon as I break that neck, the other barbarian that was staring at me jumps out of his rest mat screaming AGOGEZ! AGOGEZ!

Holy gods! He sees me!

I can hear hollering outside. I must kill this last goat and rejoin the other two Agogex for our grand escape!

Good, he just grabbed a knife. Better than nothing!

He thrusts and misses me by a mile while I grab his thrusting arm, disarm him, snap the arm, and strike goat on the esophagus for a quick death. If Chief Luftax was in this room, he is history now.

I run outside.

“Turma, Karlin. We must go! The magic wax stop working—”

And immediately, reality strikes quicker than lightning. They left me. As soon as I walked into that tent both Turma and Karlin made their way back to camp, leaving me here to perish, by myself. So this was Turma’s plan for payback all along. Capitalize on Karlin’s growing fear to convince her to get out of this hell hole before it’s too late, and simply tell our captain that I was taken down while trying to accomplish the mission, I’m sure.

I will kill you Turma. If I ever get out of here alive, I will KILL YOU!!!

Epilogue

“Calm down, you two! Tell us exactly what happened!” Captain Sorraya screams at Turma and Karlin as they both put their Agogex uniforms back on. Both Agogex and Carrialan soldiers are all ears (and all eyes, some of the latter, before the two Agogex get dressed).

“Invisible wax not work very long, Captain Sorraya! They see us before we find tent of Chief Luftax! We run, but too many wild goats! They grab Agogé Safren, and she falls! They take her! We try to help, but too many!” Turma replies, as she breathes nervously.

Karlin is sobbing, her nose making sniffling sounds. “Yay, Captain. Agogé Turma speak truth. If we stay, we all die!”

“This no good for Carriala. We lost our most powerful Agogé warrior and Chief Luftax still alive. This means, we alert capital while we stay here and fight to death.”

Among the men around listening, a certain Private Carpiax is present, and he dares to approach Captain Sorraya. “Permission to speak, Agogex Captain Sorraya!”

All eyes are now on the Carrialan soldier.

The captain seems willing to listen. “Speak, man!”

“Agogex Captain Sorraya, we don’t know if Agogex Safren is dead or alive by now, but I think she has done much for Carriala to at least attempt one rescue mission to get her out, dead or alive!”

Sorraya looks at Private Carpiax with grave eyes. “No Agogé can infiltrate enemy camp in suicide rescue mission. You crazy goat!” She yells at the private.

“Is this the Agogex bravery Carrialan songs sing about, Captain? How many times did Agogex Safren put her life on the line for your people and mine? Yet you cannot do the same for her now?” Private Carpiax asks, his arms moving in front of him as to demand an answer.

“Are you calling me coward, little man?” Replies Sorraya.

Private Carpiax tries to compose himself. “No, Captain. I am not calling you a coward. But if you won’t at least try to rescue Safren, me and my men will!”

Laughter bursted among the Agogex, and Turma speaks next. “Private, you are what? Five feet seven? One hundred seventy pounds, maybe? With small muscles? And you going to take on barbarian camp by yourself with other weak, small men?” And she laughs some more.

“You should know, Agogex Turma, that unlike other Agogex around here, Agogex Safren has treated us with kindness, respecting the ‘manual of war and conduct’ from the beginning of this tour, and by all the gods of Carriala, the least I and my men can do is give it our best shot to try and rescue her from those savages! And I have a plan, if you would just hear me out!” Private Carpiax looks toward Captain Sorraya as he speaks those words.

“Captain, I think goat crave the lash,” Turma says, looking at her captain with cold eyes.

But Sorraya did not become captain by being a coward or by taking the easy way out. “And I think Agogé listen to what puny man want to say.” Sorraya says to Turma, to the latter’s utter disbelief. “Speak, private,” Sorraya exhorts Private Carpiax.

“We all heard about this magic wax used in Agogex Safren’s mission. Do you have any left?”

 

To be continued…

Next episode: Stealth Mode (part 2)

Abigail Lakewood

 

 

 

 

 

The Fey of Castle Garden – a Review

The Fey of Castle Garden

by Naomi P. Cohen

A review by INFAMOUS🦀

 

This novel held much interest for me because it deals with a genre of fantasy filled with mythological characters which I’ve never been much acquainted with, other than by name—and some of them not even by name, even.

Irish lore is rich in feys, mysterious magical creatures who interact with humans in very peculiar ways. Feys are organized in groups or ‘courts’—each court with their own leader or queen. Sometimes these courts might have a conflict of interests but for the most part they handle their affairs with much diplomacy and old-fashioned common sense. 

 

PLOT:

In The Fey of Castle Garden some of the fey courts from the ‘old world’ migrate to 19th Century America, and particularly to the city of New York. These feys tend to recruit mages (humans who learn the use of magic and the making of magic potions) to serve them in exchange for protection and to further expand their knowledge and studies. Our protagonist, Sofia, is one such mage who relocates from Venice, Italy to NYC under the tutelage of Queen Triona. Things escalate real quick when a mage of another rival court is found dead—mysteriously murdered. Obviously this crime sparks a blame game between the two rival courts, The court of Hounds and Queen Triona’s Court, by which Sofia is trying to build a future for herself with a career as a mage and a violinist.

Sofia and her best friend Ciaran, a cait sidhe fey who has developed very strong feelings for her and is always very protective of her, will be tossed into a dark underworld of magic, deception, and cold opportunism, before they find out who the mysterious fey murderer is and how that will have profound consequences on the entire fey community.

Who is friend? Who is foe? Pick up a copy and find out.

SOFIA, THE PROTAGONIST:

I would be lying if I said that I liked the protagonist, Sofia. I didn’t. Many of the choices she makes in life to me are sad and heartbreaking. This does not mean that the character is not well-written, but she doesn’t gain my sympathy:

Music made Sofia’s life bearable. Her violin had provided comfort when her parents told her they couldn’t afford her dowry. She could take up a trade to make a living. If she wanted to continue her education, especially in music, her options were to join a convent or be a courtesan.

Guess what option she picked? You guessed it. She decides to become a courtesan. What was a courtesan? Cohen enlightens us:

 

“Courtesans were higher class than common prostitutes. One man at a time and for a full living”

 

 Sofia kind of reminds me of the college girl who goes into stripping to pay off her tuition fees,  because life is tough and she has ‘no other choice’. I understand being ambitious and goal-driven, but what is the point of even gaining the whole world in exchange for losing one’s soul? 

But I digress. I was personally left with a bitter taste in my mouth with this character. To balance things out, Queen Triona of the fey court was my favorite character, perhaps one of the few characters (along with Faolan, leader of the other fey court) with a hint of common sense. Triona to me was the one true protagonist and hero, in the way she loves and protects her people and particularly children. I love how she wears her heart on her sleeve but she is also a true leader, as she calls her shots from her lair in Central Park like a boss!

 

SOME INFAMOUS🦀 THOUGHTS:

  1. The setting – TFOCG undoubtedly represents a gold mine of possibilities for vivid descriptions. The narrative takes us from 1800s Venetian upper social circles to the rough immigrant-filled neighborhoods of America, and everything in between. However, I felt like the author did not exploit that to its full potential. For example, the luxurious house of the Valentino family; the deplorable slums where Hannah and her son are forced to live; the period garments worn by the characters—the dresses, the suits, the hats, the shoes—in my opinion all of that could have used further descriptive exploration to really plunge readers into that world. 
  2. Exposition – If the author used more exposition maybe some aspects of the story would have been better digested. For example, we learn that Sofia’s first patron lied to her by omission for two months, before finding out he was a married man. I find that very far fetched even by XIX century standards, but if I am wrong, why not write about those moments Sofia shared with this man? Perhaps showcase what they shared, their chemistry, to see how this smooth operator was able to keep the charade going for two months. Or even write some of her interactions with the other patrons, even in their intimate moments—if needed—to get a better idea of how exactly everything led to her becoming this mistress for the wealthy men of society.

 

CONCLUSIONS:

Overall, I found this an enjoyable story though with a lot of room for improvement. Some of it propelled me to frustration, through anger, confusion, to utter despair (the character of Hannah having to rely on magical contraceptives from Sofia, as she sells her body in order to provide for her son, was gut wrenching). I feel like settings and costumes could have been richer in details, along with just more overall exposition.

The highlight for me was learning more about what a ‘cait sidhe’ is, for example, along with much more in regards to the rich Irish lore featured in this story which is absolutely fascinating.

🦀

 

The Blackfire Chronicles Volume I 

The Blackfire Chronicles Volume I 

by Mark Sowers

A review by INFAMOUS🦀

 

Volume 1 of The Blackfire Chronicles was the debut novel of author Mark Sowers, and frankly, there are well-established ‘seasoned’ writers out there who fail to create stories this good and compelling. As a debut novel, TBC has its flaws, mainly due to ‘pace’, but at least we have a story and characters cohesive and captivating enough to make us want to flip pages. I am sure as Sowers keeps developing and improving as a writer those minor issues can be fixed. On the positive, if the story and/or characters were weak then we would have had bigger issues to deal with.

Like a few other fantasy writers I’ve covered recently, Sowers’ narrative departs a great deal from the typical tropes of the genre. Though ‘magic’ is actively involved in this world, the story doesn’t revolve around who wears a certain piece of magic jewelry, or who yields a certain magic sword, or who holds a certain magic staff. This magic system is more nuanced. The characters moving within the story take center stage, not some magic trinkets.

PLOT:

Everything begins with our two main characters, Reval and Arval, two boys forced into indentured labor at one of the four mysterious digging sites scattered to the four corners of the world. The enslaved laborers themselves do not even know what they are digging for, exactly, but whatever it is it must be of the highest priority since the monarch has been putting so much effort and so many resources into it. Reval has been working at the site for so long he has no knowledge of the world beyond his work environment. Even things like foods other than the slop he is fed by the guards are foreign subjects to him. Arval gets recruited (or rather forced) into working at the site at a later time, and it is through him that Reval’s curiosity for the world beyond the depressing digging site begins to grow. The two boys quickly become good friends and, one day, as they are digging they find access to a hidden abode where they come in contact with the spirit of a character from the past who enlightens Reval on what this digging site and three similar similar digging sites are all about and how the use of magic was  banished a long time ago, though the time for its return is now near.  In the process, Reval is also granted formidable magic powers and he and Arval manage to escape. Thus their real adventure begins.

Obviously there is more to this, but since we want to keep spoilers to a minimum, when you pick up a copy you will soon discover that there are many supporting characters and plot developments intelligently adopted into the story as to not bore us to death with yet another ‘same old same old’ fantasy book.

 

PACE:

Overall, my only negative statement would be in regards to the pace in some segments of the book. Sometimes it feels as though Sowers is trying to write too much about things that really have nothing to do with the story itself. Details about some characters that are quite superfluous or irrelevant, for example, do not make for a smooth reading flow. Make no mistake, TBC is not ‘slow’ overall, in fact, most of it moves quite briskly. But there are some descriptive paragraphs that could have been more succinct or omitted altogether, making the pace more uniform overall, rather than at times feeling like we are walking through a swamp.

 

CONCLUSIONS:

I get excited every time I read a book like TBC because it shows me that the over-saturated genre of fantasy still holds a few positive surprises every once in a while. I already bought Volume 2 because it is always interesting to watch an author (hopefully) improve from his debut novel to his follow-up novel. I am sure Sowers is a smart writer and he was able to use this first book as a learning experience to turn around and hit us with an even better sequel.

I know I look forward to it!

 

🦀