The Sword and the Sunflower by Mark Bradford – a Review

Review by INFAMOUS 🦀

I truly wanted to like this story, and the author is a standout human being, but unfortunately I have to be objective and report that I could find very little to praise about here.

The story suffers from several issues; from character development, to pacing, to some prosaic choices, and even too frequent and unnecessary line breaks.

Basically the story is about two individuals, Stojan and Anastazja, who (after losing their beloved ones, respectively) find one another and build a father/daughter relationship, while traveling across a dystopian world somewhere in a post-apocalyptic future.

On the surface, the premises sound good and intriguing. However a further look will reveal several weaknesses in how this was executed.

We meet Stojan, a former captain turned assassin who lost his will to live since the death of his daughter 3 years prior. When he takes on a ‘job’ by a so-called Bishop to assassinate a particular individual whom the prophecy has indicated to be a future threat to the Bishop himself, Stojan embarks on a journey that takes a strange turn: he falls in love with Anastazja and can no longer fulfill his task.

Now, I get that Stojan has lost his daughter and he’s still mourning, but every time we introduce a character that has the power and influence of healing the pain of a loss, the new relationship has to feel organic and it has to build up in steps, gradually, to feel believable. This doesn’t happen here. From the moment Stojan sets his eyes on Ana he’s already fallen in love with her as a father with a daughter. It all feels rushed and kind of weird in a way.

Another weird plot choice is the way Ana’s biological father dies in the story. For the sake of avoiding spoilers, I encourage you to read that particular scene for yourself.

The other problem I found was the pace: after the two main characters come together and embark on their trip across these lands, everything feels very slow and tedious. They cross the ocean from a region called Poliska (Poland? Europe?) to another region called Amira (America?), and the most exciting thing that happens is ending up in a Native American colony where they spend a whole year just enjoying the lifestyle of their host. Nothing significant happens, except for perhaps having two of the Indian tribal chiefs arguing over what new tribal name to assign to Ana (I’m totally serious).

When the two protagonists decide to leave the Indian community there’s more hiking, more riding horses across vast lands, and more NOTHING….

Some of the prosaic choices I also found not ideal given this world: in this futuristic world most people are illiterate or barely know how to read, yet their spoken language is very articulate and even more sophisticated than ours is today. It’s almost as if these people somehow went back to speaking Shakespearean English though not even having any books around anymore.

To conclude, it is with sadness that I must admit that the only true highlight of this book and most uplifting moment was when I finally turned to the last page.

If you think I must be exaggerating or being too harsh, by all means buy a copy and read it for yourself. I would love your comments.

 

INFAMOUS 🦀