Steampunk and Bonsart Bokel – a Q & A

By INFAMOUS 🦀

After having reviewed both The Wrench in the Machine and Journey to Elysium, we felt it necessary to have a little interview with the visionary behind this universe we are so much enjoying. All the way from the Netherlands, Mr Bonsart Bokel!

 

Q1: is what you are writing steampunk? Or what should we call it?

 

Bokel: Yes, although I use different descriptions for every book. The Wrench in the Machine takes my definition of the Steampunk genre, Cyberpunk in the Past, to ‘Eleven’.

Q2: Steampunk seems like a very niche subgenre; what the general audience sees seems to be very limited and restrictive for creativity to thrive. Do you agree?

Bokel: I think the problem is we haven’t had the conversation on what Steampunk should be. To many, Steampunk is just an aesthetic. They discard the idea of being a genre entirely. So it became “Steampunk is like porn. You know it when you see it.” 

Currently, there is a lot of Fantasy with a Steampunk skin. (This is not necessarily Gaslamp Fantasy either).

The other cliche is the overall approach to history. This being the ‘oppressor vs oppressed’ or ‘class struggle’ narrative. It might make for decent stories, but does not make good Alternate History.

Q3: The ‘historical’ element in fiction has been underrated or even misused. Do you feel your approach is different when applying history to your stories?

 

Bokel: My series has a high emphasis on Alternate History, so I’m taking the ‘Past’ part of the definition very seriously. There are more Steampunk authors like that. But you wouldn’t know them. They went to a different school and live  in Canada now.

Joking aside, some ignore the historical part just to give themselves the freedom to explore historical processes without seeming biased. The Guns Above series is a good example of this. 

Q4: My favorite character from Journey to Elysium was Subject-09…Any chance we might see her again or even have her own dedicated novel? I love her character and not because she is a woman or because she is disabled either!

Bokel: Subject-09 is kind of an accident. A silly idea that people really love for some reason. Even as a short story (Cough, check out my page on Ream, cough) S-09 quickly proved people’s favorite along with Subject-06. 

Currently, I am still exploring ideas for the future novels. Although I have ideas for her, S-09 place is in the bigger picture of the overall series. There is still so much I need to figure out for what I call Phase1 of the Association of Ishtar, I wouldn’t be surprised if I can’t get her to shine until the start of Phase 3. When will Phase 2 start? When I finally know what I want to do for the third novel. Until then, she’ll make some small appearances, like in Anwin and Journey to Elysium.

 

Q5: Tell us briefly about your latest project going live soon on KS. Is this a comic book or a novel?

 

Bokel: The Kickstarter will launch on March 17 if all goes well. The Casket Girls is a novelette about mecha pilots serving in the French Imperial Penal Legion that will be illustrated. It will also contain various miniatures for your 3D printing pleasure as we are working on an RPG.

Q6: Originality in modern fiction seems rare these days. I think you are carving out the blueprints of something new and original. What can we see from the Association of Ishtar next?

 

Bokel: I already mentioned the RPG we hope to present by the end of the year.

I’m working on various books. One is a second Anwin novelette, which is about an autonomous doll and her owner, Igraine. Another is the Knights of Avalon, which is kind of the male chivalrous counterpart to the Casket Girls. 

Of course we also hope to have the second issue of our comic Journey to Elysium done.

Overall, I hope to create a community creating new Subjects, Constructs and Planes to be explored. I’m already doing it on the illustration front with our Alternate History videos on Youtube. Finding a way to collaborate with co-writers would be great if only to explore other genres beside hard sci-fi without losing sight of the themes of Steampunk.

 

(Gee, and here I thought Alternate History stories were simply about taking famous characters from history and swapping race or gender LOL!)

🦀

Don’t forget to back Bonsart!

And also follow him on REAM!

 

Man of Swords: The Queen of Scorpions – a Review

By Robert Victor Mills

(Part 4 of a 6-part series)

Review by Gio THE INFAMOUS 🦀

 

“There is no need for you to accompany us any further, young man,” protested Eridiathe. “Aye, there is no need,” admitted Rhoye, “but there is HONOUR, and WORD GIVEN. I will come, see you both safe to your bourne.”

 

The Queen of Scorpions is pure, grade A ‘Robert V. Mills’ finest. And by that I’m referring to the pure, unadulterated, fantasy adventure where honor, chivalry, and a WORD GIVEN still mean something! 

Once again, our hero finds himself in a ‘situation’, this time involving high priestesses, inquisitors, and a holy book that ignites a fierce hunt of those who try to spread its content throughout the Wandered Lands!

Rohye finds work on a merchant ship which cargo includes two ‘holy women’: Eridiathe and her young apprentice Giustinia. Little does he know that the content of their belongings includes a holy book for which they are being persecuted by Inquisitress Bethaina, a powerful and evil sorceress who will stop at nothing to see the alleged manuscript destroyed.

Of course Rohye cannot let two defenseless women be victims of this pure evil, and despite the opportunity to go his merry way he decides to stick around for the ‘fireworks’.

The Scorpion Queen is beautiful in its simplicity. You don’t always need a Machiavellian plot to have a good story. But it’s got to be well written, with memorable characters, and a plot that is solid and compelling. This story checks all those boxes!

So far, I would put The Scorpion Queen as the second best tale out of the four we’ve read from Man of Swords. I’m comfortable saying that this is another little gem of new fantasy fiction that is rare to find these days.

Another legend in the making!

Journey to Elysium 1: the Remains of Babylon – a Review

Bonsart Bokel is building an ambitious steampunk narrative via various mediums including prose novels, comic books, and video mockumentaries. The alternate history world-building and extensive esoteric research that must have gone into this effort seems exhaustive.

This is the first comic book entry. I prepared for this review by reading the expository entries on Ream. In the comic itself, there are some vintage newspaper stories and technical documents that are also helpful to the reader (unlike the “Black Freighter” inserts in Watchmen).

In 1791 a gigantic bell-shaped object appeared in space, in a parallel orbit with our moon.

 

Napoleon Bonaparte’s reign in France followed the historical narrative we are familiar with. However, underneath the broad-brush historical developments, the technology of his Empire advanced to levels that (in some fields of science) rival those of the Second and Third Reich’s in the next century. For instance, just as the Germans launched V-1 and V-2s at Great Britain after Hitler’s war machine ground to a halt at the English Channel, Bonaparte’s Rocket Corps also terrorized the Brits with his own retro-Blitz.

In the 1820s, in an attempt to send cosmonauts to the Elysium Object (the massive bell-shaped object that appeared in the previous century), one rocket designed by Ghulam Ali (Bonaparte’s chief rocket scientist) explodes on the launch platform, and another mysteriously disappears after launch.

We come into the story some five decades later. Corporal Maurice Havelaar, late of the Dutch-Indian Army, is assigned a mysterious mission. I say mysterious because even the general thrust of the mission is withheld until the last panel. Never mind specifics.

 

I’m about to mention something that might be considered a spoiler by the author, though he certainly provided enough clues for the reader to figure it out on their own: even though Napoleon died on St. Helena generations ago, he is back, in an influential role. He has been reincarnated (?) as a girl with a spinal condition which has rendered one arm and one leg useless.

Is this the author’s way of incorporating the obligatory gender confusion into the story, or just coincidental with the current year’s obsession with cramming LGBTWTF down the audience’s throat? Not enough evidence yet to determine either way. Perhaps future installments will reveal if this is the typical ticket-taking bounce onto the Troon Bandwagon or not.

This character (the 7th Chairman) is escorted by a zeppelinful of “Elite Airborne Dragoons” to a converted oil rig platform in the Atlantic, where the elderly Ghulam Ali now lives, with an unlaunched third Elysium Rocket.

 

With or without Ali’s help, the 7th Chairman is taking over his abandoned Elysium Program, before a rival space program run by competitor Utter Krapp can launch its own mission.

Then Havelaar arrives at the oceanic platform weeks later, and the implication is that he will be included on the Elysium Rocket Ride.

We’ll have to read Part Two to see where this goes from here.

Part One, honestly, is a teaser. Obviously, it’s not much of a plot. But it does promise a significant and ambitious plot to follow, hopefully with some action and lots of adventure. This setup for the story, mostly establishing the exposition so you won’t be lost on the adventure, succeeds at intriguing the reader enough to keep turning pages.

The artwork has a lot to do with that. The style of the illustration leans to the simplistic side, but it’s drawn with attractive linework and coloring, and striking composition that enhances what storytelling is being done.

There are several NGOs and paramilitary organizations to keep track of in this universe. I’m unwilling, at this point, to put in the homework necessary to keep them all straight. Over time, that might become easier and worthwhile.

The writing is competent, and possibly will prove to be exceptional…it’s hard to say, so far. There were numerous typos. Some of them perhaps intentional, as in the faux newspaper stories and technical documents. The name of the rival company (Utter Krapp) is the only humor I could discern, and as such felt out of place. It reminds me of some of Howard Chaykin’s wink-wink-nudge-nudge verbal humor in a lot of his faux-trademarks in American Flagg–except Chaykin had it spread consistently enough through his comics that the contrast between that and the sober character behavior was also consistent, and seemed intentional.

The bottom line, I suppose, is: do I want to read more of Journey to Elysium? At this point, yes, I do.

THE WRENCH IN THE MACHINE by Bonsart Bokel – a Review

By INFAMOUS 🦀

Though The Wrench In The Machine is officially Book 1 of the ‘Association of Ishtar’ novel series by visionary Bonsart Bokel, this represents just one small cog (pun intended!) in his enormous worldbuilding machine. To call the author just ‘a writer’ wouldn’t do him any justice. The man has a vision and writing is but one single layer of his vision. We will have Mr Bokel in a Q&A interview soon, where we will be able to take a deeper dive into this vision.

 

When Inspector David Ol’Barrow answers the call to a railway triple murder, he finds himself involved in affairs way above his pay grade, involving secret societies, associations, and individuals of questionable backgrounds. With the unusual company of a strange young girl, Igraine, and three-legged mut, Old Boy, Ol’Barrow must rely on his instincts and intuition to stay ahead of the game…And that’s only the beginning!

So you may ask, is this a Sherlock Holmes-ish type of trope? The answer would be: No. It does have a mystery murder element to it but it’s not that. This is something new, fresh, and innovative that is based on three major components: historical, technological, and supernatural. The author is able to combine those components in ways that we haven’t read before, and the result is a brand new sub-genre with infinite possibilities.

Of course many might label this as ‘steampunk’ since the author is and has been a student and expert of the genre for years. But to call this steampunk would too be inaccurate, though it lays some of its roots in the genre, albeit detaching itself from the clique associated to it.

To me, the Association of Ishtar is where new fiction goes ‘next level’. In a fantasy literature market oversaturated with the same old tired out tropes and cliques, it is rare to find some originality comparable to this.

If there is one single personal irk I had with the novel itself that would be the father/daughter relationship that develops between Ol’Barrow and Igraine. I liked the execution and how this relationship grows organically from beginning to end of the story. You can see how Ol’Barrow goes from annoyed with the girl, to curious, to slightly caring for her, to risking his life for her. But in the end, she really comes off kind of cold, not even reciprocating the love he displays throughout their ordeal. I was expecting her to at least be a little more grateful, but honestly she seemed more excited to have her little doll Arwin back than anything…

To finish on a positive note, I’m glad to say that Wrench In The Machine puts Bonsart Bokel in my list of ‘legendary’ guest authors of the likes of R. V. Mills, M. Lane, and E. Laurence Jr.

Looking forward to reading book 2!

🦀

Your Go-To Site for Discovering Good Reads

2024 is off to a pretty good start this year, this blog is back to fulfilling its original purpose: spreading the news of good reads still being produced, by authors you might not have ever discovered without Virtual Pulp.

For those who are late to the party, here’s some of the authors we’ve featured here so far just since New Year’s:

 

Adventure:

Milton Lane

Fantasy:

Ernie Laurence, Jr.

Michael R. Schultheiss

Jonathan Shuerguer

Sci-Fi:

Misha Burnett

Robert Kroese

Hans Schantz

Sword & Sorcery:

James Krake

Robert Victor Mills

Eric Waag

It’s no coincidence that these are all indie authors, either. Tradpub fiction sucks, with few exceptions. Sure, there is a lot of indie fiction that stinks just as bad as tradpub. But thanks to Gio and me, it’s now easy for you to find the diamonds in the rough.

Have I missed anybody so far? Don’t worry–the Infamous Gio is a reviewing/interviewing machine, and he’s got a lot more lined up for you. In fact, this very week is already packed with reviews and an interview. (Steampunk fans should feel right at home.)

This is worth remembering:

First of all, nobody pays us to do this. We even buy the books/comics/whatever ourselves. We don’t owe anybody anything.

Secondly, we are honest. We want to find/read good books. We like giving indie authors a signal boost. When we enjoy something, we like sharing our experience, so others can enjoy it, too. But when we think a book is bad, we will let you know we think it’s bad. If it’s good, but misses the mark in one or more aspect, we will say so. It’s nothing personal against the author. We might even be fond of the author as a human being, but we are still going to be honest.

Speaking for myself, I’ve got empathy out the wazoo for my fellow indie authors. I know the odds stacked against them and the petty, unfair, and even diabolical crap most of them have to wade through just to make a sale. I’m very pleased when an indie has put together a masterpiece. But if it ain’t a masterpiece, I’m not gonna try to convince people it is.

At the same time, we won’t get butthurt if you disagree with us over the quality of a book. We’re not gonna  unfriend you, block, mute, or cancel you because we have different opinions. (We might debate with you, because that can be healthy and stimulating.)

We’re not gonna engage in shady behavior to steal somebody’s traffic, or reduce their traffic–even though that has been done to us, by individuals supposedly on our side in the Culture War. We’re not jealous because other blogs also share quality content, or are reviewing indie work. I wish there were more indie reviewers out there working through their towering TBR piles like we are–especially if they’re honest.

How about drama?

I suspect there are some talented creatives out there who identify as #IronAge. From what I know, I fit under that umbrella, too.

I’m sure there are talented creatives associated with #Comicsgate, too.

Unfortunately, it appears there are overly sensitive (or perhaps just drama-addicted) folks on both sides locked in a pissing contest over some petty BS even they probably can’t explain the origin of. I’ve been honing my craft/plying my trade alone, and don’t know that many people from either side yet. IOW I have no dog in this fight. I also believe it’s a silly, counterproductive fight. Same with Eric July vs. Ethan Van Sciver. I’ve got more important items on my to-do list than to take part in all that drama. I’m also annoyed that I have to wade through all that silly drama to find anything that interests me as a reader, a novelist, and an aspiring graphic novelist.

Bottom line: I’m not gonna take anybody’s side in one of these squabbles based on what hashtag they’re associated with.

The Good News:

There’s a lot of quality entertainment being written in the indie-sphere, and we’re gonna help you find it.  (And some of it is mine, so consider looking at my work, too.) We’re also hosting the Infamous Writing Contest, to discover and showcase even more talented writers, whose published work you may be unfamiliar with.

We put out consistent content here, so stop by on the regular and let us know what you think. Consider subscribing to the blog, so you’ll never miss a post. And tell others about us and what we’re doing. We’re trying to grow our Internet footprint, and you can help with that.

 

 

The Spirit Phone

It is August 1899, and Thomas Edison proclaims his most amazing invention yet: the Spirit Phone Model SP-1. At nearly the same time, a cocksure young mage named Aleister Crowley inexplicably teleports into the home of Edison’s archrival, renowned inventor Nikola Tesla.

As insanity and suicide multiply among spirit phone users, Crowley and Tesla combine their respective skills in “magick” and technology to investigate the device’s actual origin and ultimate purpose.

Embarking upon an adventure of astral travel, demonic invocations, and high-speed airship journeys, they are soon embroiled in a desperate race to stop the spirit phone’s use by an unknown adversary to inaugurate a hell on earth from which none shall escape.

Review coming soon to Virtual Pulp!

The Infamous Writing Contest

We like to have fun at Virtual Pulp, and here’s a chance for you to have fun with us.

Why are Number One and Number Three the same?

Gio really likes crabs.

To submit, put your story in PDF or E-Pub format and send to

Gio: Infamous dot Reviewer at gmail dot com

AND

Henry: Machine Trooper at gmail dot com

ECHOES THROUGH DISTANT GLASS (BEYOND CASCADIA): BOOK ONE – a Review

(Author: S. KIRK PIERZCHALA)

Review by INFAMOUS 🦀

Echoes is a very well-written story which, however, could have been trimmed down to half its length and still manage to deliver everything it does. I’ll explain what I mean in a moment.

When a sample of a seemingly new, potentially devastating biological weapon is seized by special agency ITOD, agent Owen McIntyre finds himself involved in the dealings of the most dangerous Colombian cartel led by the Chen family. Deciding to go undercover and befriend the younger of the two Chen brothers (Tomas) in order to gather crucial evidence, Owen finds himself in a roller coaster of struggles; both physical and psychological. 

On the surface this seems a pretty cut and dry cyberpunk trope, if it wasn’t for the infusion of ‘humanity’ the author instilled in it. Though we do have good guys vs villains, we also learn that people in this futuristic world sometimes simply try to deal the cards handed to them the best they can. Owen gets a rude awakening when he discovers the true situation Tomas is in and even develops some sort of ‘friendship’ with the guy.

Will Owen be able to accomplish his mission, or will the Chen family (headed by resourceful and ambitious brother Francisco) keep controlling the world economies from behind the curtains?

As I mentioned earlier, Pierzchala can write some brilliant prose, and she digs deep into the minds of each character to expose their innermost joys, fears, worries, and inner struggles. What I notice though is that this approach can reach a point of diminishing returns by slowing down the pace too much and extending the story beyond what the reader may find engaging. Particularly when it comes to this specific genre, you want a fast-paced, story-driven narrative to keep the audience on the edge.

Segments like the road trip that Owen and Tomas go on felt like dragging too much, with just a couple of events that never impacted the story in any significant way. A lot of chapters are filled with ordinary tasks as these characters just go through the motion.

In addition to the overall pace I just discussed, it’s also worth mentioning some plot points that felt weak. Example: knowing that you have a spy under your roof and that he’s wired, destroying his wire device won’t help you much since by then his backup most likely already has a location locked on you. You should be running, and quick, not partying!

But I digress…


Echoes Through Distant Glass is an overall interesting ‘cyberpunk/drama’ that suffers from a few pace/plot hiccups. Sometimes it’s tough to find that fine balance in a story that wants to be both character-driven and story-driven. I honestly feel that cutting out a lot of content from the final draft could have turned this into an overall more dynamic narrative. But that’s just my take.

INFAMOUS 🦀

Steampunk Double Feature

In the year 1875, Inspector Ol’Barrow of Dover’s borough police finds himself grappling with the emergence of radio dramas when a perplexing murder case lands on his desk. Together with his colleague, Bigsby, they face an enigmatic assassin with origins beyond this world.

Driven by duty and a thirst for redemption, Ol’Barrow joins forces with a covert organization known as the Association of Ishtar. They serve as advisors to the authorities, specializing in managing anomalies called Rifts—innocuous gateways to alternate realms harboring untold dangers. Ol’Barrow’s eyes are opened to a reality where Napoleon wields futuristic weaponry against England, corporations pioneer otherworldly technology, and societal progress comes at a perilous cost.

As humanity hurtles towards a technocratic future, the question looms: Where will it lead? For some, biology is a dead end, and humanity must ascend.

Coming soon: Comic review by Hank; Novel review by Gio.