No-Frills Japanese Mythology?

Is it mythology or embellished history? I’m not sure.

This film had great potential. The visual component was breathtaking, the acting solid, some of the plot ingredients tantalizing. For the first half hour it was shaping up to be a top-notch epic.

One of the main characters (played by Keanu Reeves) is a “half breed” who is also a boy partially raised by “demons.” For both those reasons he is an outcast among the clan he is imbedded with.

During a visit of the Shogun, the master of the clan is framed for a dishonorable crime by a witch working for a rival clan. The Master (Asano) commits seppuku, leaving his samurais without a master (the textbook definition of ronin).

This was all a plot by the rival master, Kira, and the witch Mizuki to have their clan take over the province, which they do. You can probably guess where the story goes from there–which is not a criticism, necessarily.

What is worthy of criticism is the gaps in character development; outright neglect in character building in some cases, and a choppy, rushed execution of the narrative.

Some probably would complain that the film is too long already, but I believe some more screen time was necessary to make it flow. There were some cultural insights and other expository requirements left out which could have saved it for a western audience. With a big budget historical epic there’s just no excuse for cutting corners in the screenplay.

The story concept was much more interesting than Dances With Japanese Wolves The Last Samurai. However (and it hurts me to say this) ruthless adherence to formula, as in the Tom Cruise vehicle, might have been an improvement.

I don’t remember any nudity or sexual content, so this aesthetic adventure might be a candidate for Amazon Instant Theater with the kids. Despite being a one-time fan of Akira Kurosawa, I haven’t seen many samurai films by other directors, and know nothing about other versions of this movie. Nevertheless,  I’m including a couple links below.