Captain America: The Winter Soldier

I was not prepared for what happened at the theater. Knowing full well the sequel factor, and having seen a poster for a movie about Cesar Chavez on the way inside (a bad omen if there ever was), I was expecting Hollywood business as usual.

(In fact, it’s kind of surprising Captain America wasn’t turned into “Captain Global Village” long ago, replacing his stars-and-stripes motif with rainbows and olive branches. Well, Marvel did turn him into “Nomad” for a while in the 1970s, but I guess the fans wouldn’t stand for it.)

I couldn’t have been more pleasantly surprised. Marvel Studios has stuck to the formula that has made most of their cinematic efforts so successful, including some great lines, a funny cameo by legendary Stan Lee, and an extravaganza of spectacular destruction surrounding a plot that ties in nicely to the rest of the Marvel Movie Canon.

Where’s the red and white, by the way?

Of course there were annoying themes, too, like the mask removal fetish. (Question for Marvel’s creative Czars: if secret identities are now public, why do your superheroes wear masks at any time whatsoever?)

Winter Soldier is an enjoyable flick for the whole family, but there’s some interesting themes under the surface, too.

Here are some tasty morsels for conspiracy theorists: SHIELD, a pseudo-secret government agency with an unlimited budget and power that Hitler’s Secret Police could only dream of, has itself been compromised–infiltrated to the very highest levels by Hydra (a super-secret international organization bent on enslaving the world). SHIELD has developed a preemptive crime stopping program which is ready to go online, and I almost choked on my popcorn when they mentioned Operation Paperclip. The predictive algorithm explained in dialog also sounds a lot like PROMIS. Through this new program, SHIELD can prevent crimes before they happen by identifying potential criminals.

In effect, SHIELD (with Hydra pulling the strings) is on its way to becoming the Thought Police that George Orwell warned us about. Keep in mind that in the constantly evolving Newspeak of the dominant ideology, “thought crime” is now called “hate crime.” And the method chosen to eradicate thought crime is nearly identical to how enemies of the state can now be dealt with. Replace unmanned drones with huge, high-tech airborne gun platforms and you have the same execution of US citizens without trial favored by the Obama Administration.

It’s pretty amazing these themes survived to the final cut. Chances are the script was written during the Bush II regime, when violations of civil liberties were double-plus ungood to the Hollywood Zeitgeist. And at one point you see that one of the millions of thought/hate criminals located is in the White House. Yeah, right. But still, it’s astounding that this plot element was retained with only a weak revision like that.

Take a knee, Cap, and prepare for debriefing.

However it happened, it appears the message of this film backfired on the Hollywood Elite in similar fashion to John Carpenter’s They Live.

 

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